In today’s world, Willow Weep for Me (album) is a topic that has gained relevance and caught the attention of many. Whether due to its impact on society, its relevance in the scientific field, or its importance in history, Willow Weep for Me (album) has generated deep interest in various sectors. This phenomenon has sparked extensive debate and has prompted numerous investigations in search of a better understanding of its implications. As Willow Weep for Me (album) continues to evolve, it is crucial to closely analyze its impact and explore its potential consequences. In this article, we will further explore the role of Willow Weep for Me (album) today and address its relevance in different contexts.
| Willow Weep for Me | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | December 1968[1] | |||
| Recorded | 1965 | |||
| Genre | Jazz | |||
| Label | Verve | |||
| Producer | Esmond Edwards | |||
| Wes Montgomery chronology | ||||
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Willow Weep for Me is a posthumous jazz album recorded by guitarist Wes Montgomery in 1965 and released in 1968. It reached number 12 on the Billboard Jazz album chart in 1969. At the Grammy Awards of 1970 Willow Weep for Me won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
History
After Montgomery’s death, Verve used recordings from the sessions that produced Smokin’ at the Half Note and hired arranger Claus Ogerman to write string and brass arrangements for «Willow Weep for Me», «Portrait of Jennie,» «Oh! You Crazy Moon,» and «Misty.» Subsequent reissues erased the new backing arrangements.[2]
Reception
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | |
| The Penguin Guide to Jazz Recordings | |
Writing for Allmusic, music critic Richard Grinell called the original release «… prime, mature Wes Montgomery stretching out in full, with unbelievable confidence in his ear and technique at all times, experimenting now and then with mild electronic effects devices. The sound is oddly dim and shallow on the LP, which is surprising since the Smokln’ album sounded so good.»[2]
At the Grammy Awards of 1970 Willow Weep for Me won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
Track listing
- «Willow Weep for Me» (Ann Ronell) – 7:42
- «Impressions» (John Coltrane) – 5:01
- «Portrait of Jenny» (Burdge, Robinson) – 2:45
- «The Surrey with the Fringe on Top» (Richard Rodgers, Oscar Hammerstein II) – 5:20
- «Oh, You Crazy Moon» (Burke, Jimmy Van Heusen) – 5:27
- «Four on Six» (Wes Montgomery) – 9:29
- «Misty» (Johnny Burke, Erroll Garner) – 6:45
Personnel
- Wes Montgomery – guitar
- Wynton Kelly – piano
- Paul Chambers – bass
- Jimmy Cobb – drums
- Claus Ogerman – arranger, conductor
Chart positions
| Year | Chart | Position |
|---|---|---|
| 1969 | Billboard Jazz Albums | 12 |
References
- ^ «Billboard». December 21, 1968.
- ^ a b c Ginell, Richard S. «Willow Weep for Me > Review». Allmusic. Retrieved December 17, 2010.
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1028. ISBN 978-0-141-03401-0.





