The topic of Monk Montgomery in Africa...Live! has been a subject of interest for a long time, its various dimensions and ramifications have intrigued academics, professionals and subject matter experts alike. From its historical origins to its modern applications, Monk Montgomery in Africa...Live! has proven to be a continually relevant and highly important area of study in a variety of contexts. As society evolves, interest in Monk Montgomery in Africa...Live! remains constant, demonstrating its ability to adapt and remain relevant in an ever-changing world. In this article, we will explore the various facets of Monk Montgomery in Africa...Live! and its impact in different areas, with the aim of providing a holistic view of this fascinating topic.
Monk Montgomery in Africa...Live! | ||||
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Live album by | ||||
Released | 1975 | |||
Recorded | November 9, 1974 | |||
Venue | Orlando Stadium, Soweto | |||
Genre | Jazz | |||
Label | Philadelphia International | |||
Producer | Hilton Rosenthal, Peter Thwaites | |||
Monk Montgomery chronology | ||||
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Monk Montgomery in Africa...Live! is the fourth and final solo album of American bassist Monk Montgomery. It was recorded at the Orlando Stadium, Soweto, South Africa, on November 9, 1974, and released in 1975 on Philadelphia International Records.
In 1970 Montgomery recorded in Los Angeles with South African trumpeter Hugh Masekela, on Masekela’s album Reconstruction. In 1974 Monk toured South Africa with a group including singer Lovelace Watkins, and at the end of the tour he recorded this live album in Soweto.[1]