In today's world, Portrait of Wes has become a topic of increasing interest to a wide range of people. With its many facets and its impact on various areas of life, Portrait of Wes has captured the attention of many individuals, from experts in the field to those just beginning to explore its implications. Whether Portrait of Wes refers to a person, a topic, a date or any other element, its relevance in modern society is undeniable. In this article, we will explore in depth the various dimensions of Portrait of Wes, analyzing its importance, its challenges and its possible implications for the future.
Portrait of Wes | ||||
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Studio album by | ||||
Released | March 1966[1] | |||
Recorded | October 10, 1963 | |||
Studio | Plaza Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 41:31 (Reissue) | |||
Label | Riverside | |||
Producer | Orrin Keepnews | |||
Wes Montgomery chronology | ||||
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Portrait of Wes is an album by the American jazz guitarist Wes Montgomery, released in 1966.
Portrait of Wes was Montgomery's second to last recording for Riverside Records; his performances in October and November 1963 were issued as two albums, Portrait of Wes and Guitar on the Go. Montgomery, who had worked with Melvin Rhyne for his first recordings for Riverside, worked with him again for his last Riverside performance.[2] Portrait of Wes was reissued in the Original Jazz Classics series, with additional alternate takes.
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
AllMusic jazz critic Scott Yanow wrote: "The brilliant guitarist is in fine form on these appealing tunes with the highlights including 'Freddie the Freeloader,' 'Blues Riff' and 'Moanin'.'"[2]
Side 1:
Side 2:
Production