In today's world, To Bird with Love is a topic of great relevance and interest to a wide audience. From its impact on society to its implications in everyday life, To Bird with Love has captured the attention of many, generating debates and reflections on its importance and possible consequences. Over the years, To Bird with Love has been the subject of study and analysis by experts in different fields, who have delved into its different aspects, from its origin to its evolution over time. In this article, we will explore the various angles of To Bird with Love, offering a panoramic view of its relevance and influence in today's world.
To Bird with Love | ||||
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Live album by | ||||
Released | 1992 | |||
Recorded | January 23–25, 1992 | |||
Venue | Blue Note Jazz Club, Greenwich Village, New York City | |||
Genre | Jazz | |||
Length | 63:20 | |||
Label | Telarc CD-83316 | |||
Dizzy Gillespie chronology | ||||
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To Bird with Love is a live album by trumpeter Dizzy Gillespie with an array of guest stars. It was recorded at the Blue Note Jazz Club in New York City on January 23–25, 1992 and released on the Telarc label.[1] Gillespie's performances at the club in January and February of that year yielded two additional live albums, Bird Songs: The Final Recordings and To Diz with Love. Together, these three titles represent his final recordings prior to his death in 1993.
The Allmusic review stated "The good spirits and obvious love that these musicians had for Gillespie make up for his technical lapses".[2]
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |