For Musicians Only

In this article, we will explore the impact of For Musicians Only on various aspects of society. From its influence on a personal level to its impact on the economy and politics, For Musicians Only has been the subject of debate and analysis in different scenarios over time. Through a journey through different perspectives, we will seek to understand the role that For Musicians Only plays in daily life and in the future of humanity. We will also examine possible challenges and opportunities related to For Musicians Only, with the aim of shedding light on its relevance and consequences today.

For Musicians Only
Studio album by
Dizzy Gillespie, Stan Getz and Sonny Stitt
Released1958
RecordedOctober 16, 1956
StudioRadio Recorders, Hollywood, California
GenreJazz
Length42:59 original LP
LabelVerve
MGV 8198
ProducerNorman Granz
Dizzy Gillespie chronology
Dizzy in Greece
(1956) 		For Musicians Only
(1958) 		Birks' Works
(1957)
Stan Getz chronology
Stan Getz in Stockholm
(1955) 		For Musicians Only
(1956) 		The Steamer
(1956)
Sonny Stitt chronology
New York Jazz
(1956) 		For Musicians Only
(1956) 		37 Minutes and 48 Seconds with Sonny Stitt
(1957)
Professional ratings
Review scores
SourceRating
Allmusic[1]
Disc[2]
The Penguin Guide to Jazz Recordings[3]

For Musicians Only is a 1958 jazz album by Dizzy Gillespie, Stan Getz and Sonny Stitt incorporating bebop influences.

Recorded in Los Angeles, California on October 16, 1956, it has been described as the "real thing, no pretense". Bob Levey, son of drummer Stan Levey, told an interviewer how his father described the session:

The story behind this from my dad's point of view is that everything was done in one take--no 2nd takes, no overdubbing. He had spent the whole day recording for TV, Mission Impossible Mannix etc. So he thought 'a date with Stan Getz...this should be pretty laid back'. Well nothing could be further from the truth, he said. "The count-offs were breathtaking, but once they got thru Bebop, everything settled down". His favorite was Wee (Allen's Alley). It was virtually a live, real bebop session, nothing worked out, just play by the seat of your pants or get off the bandstand. Like it or not that was the way it was with Bird and those cats, the real thing no pretense.[4]

The album is known for the front line's winding, intricate solos. This has led to praise for the back line, particularly bassist Ray Brown, for keeping some semblance of the original tune going behind the solos.[1]

Track listing

  1. "Bebop" (Gillespie) - 12:48
  2. "Dark Eyes" (Traditional) - 12:10
  3. "Wee (Allen's Alley)" (Denzil Best, Gillespie) - 8:28
  4. "Lover Come Back to Me" (Sigmund Romberg, Oscar Hammerstein II) - 9:33
  5. "Dark Eyes" - 9:50 Bonus track on CD reissue

Personnel

References

  1. ^ a b For Musicians Only at AllMusic. Retrieved 2023-01-26.
  2. ^ Hall, Tony (8 March 1958). "Best of the latest in jazz". Disc. No. 5. p. 5.
  3. ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 553. ISBN 978-0-141-03401-0.
  4. ^ "For Musicians Only". Amazon.co.uk. Retrieved 2016-04-15.