Today, Pure Getz is a topic of great relevance in society. Throughout history, Pure Getz has impacted people's lives in various ways, influencing their decisions, their thoughts and their way of acting. From a social approach, Pure Getz has been the subject of debates and discussions in different areas, generating conflicting opinions and diverse positions. This is why it is essential to delve deeper into the study of Pure Getz, in order to understand its importance and impact on daily life. In this article, we will explore the different facets of Pure Getz, analyzing its historical context, its relevance today, and possible implications for the future.
Pure Getz | ||||
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Studio album by | ||||
Released | 1982 | |||
Recorded | January 29 and February 5, 1982 Coast Recorders, San Francisco, California and Soundmixers, New York City | |||
Genre | Jazz | |||
Length | 47:07 | |||
Label | Concord Jazz CJ 188 | |||
Producer | Carl Jefferson | |||
Stan Getz chronology | ||||
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Pure Getz is an album by saxophonist Stan Getz which was recorded in New York City and San Francisco in 1982 and released on the Concord Jazz label.[1][2]
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
The Allmusic review by Scott Yanow said "Getz is particularly swinging on "Tempus Fugit" and quite lyrical on Billy Strayhorn's "Blood Count"".[3]