In the world of Touch-Me-Not there is a great variety of approaches, opinions and perspectives that can be approached from different angles. It is a topic that has captured the attention of various sectors of society, generating debates, reflections and deep analysis. In this article, we will explore the different aspects related to Touch-Me-Not, from its history and evolution to its impact today. Through different points of view and evidence, we will seek to fully understand the context surrounding Touch-Me-Not, thus allowing a more complete and enriching vision of this very relevant topic.
Touch-Me-Not | |
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![]() Korean poster for Touch-Me-Not (1956) | |
Hangul | 봉선화 |
Hanja | 鳳仙花 |
Revised Romanization | Bongseonhwa |
McCune–Reischauer | Pongsŏnhwa |
Directed by | Kim Ki-young[1] |
Written by | An Hwa-yeong |
Produced by | Kim Ki-young |
Starring | Na Gang-hui An Seok-jin |
Cinematography | Seo Byeong-hyeon |
Edited by | Kim Ki-young |
Music by | Han Sang-ki |
Distributed by | Kim Ki-Yeong Production |
Release date |
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Country | South Korea |
Language | Korean |
Touch-Me-Not (Korean: 봉선화) is a 1956 South Korean film directed by Kim Ki-young.
A historical melodrama about a love triangle within a group of bandits.[2]