In this article, we will thoroughly explore the topic of Box of Death and all its implications. From its origins to its relevance today, including its impact on different areas of society, we will delve into a detailed analysis that seeks to shed light on this fascinating topic. Through a series of research, interviews and expert opinions, we aim to offer a complete and exhaustive overview that allows our readers to fully understand the importance and complexity of Box of Death. Without a doubt, this article will become an indispensable reference for all those interested in learning more about Box of Death.
Box of Death | |
---|---|
![]() Korean poster for Box of Death (1955) | |
Hangul | 주검의 상자 |
Hanja | |
Revised Romanization | Jugeomui sangja |
McCune–Reischauer | Chugŏmŭi sangja |
Directed by | Kim Ki-young[1] |
Written by | Kim Chang-sik |
Starring | Choi Moo-ryong Kang Hyo-shil |
Cinematography | Kim Hyeong-geun |
Edited by | Yu Jae-won |
Music by | Jeong Yoon-joo |
Distributed by | U.S.I.S. |
Release date |
|
Country | South Korea |
Language | Korean |
Box of Death (Korean: 주검의 상자) is a 1955 South Korean film directed by Kim Ki-young. It was the celebrated director's debut film, and the first Korean film to use synchronous sound.[2]
An anti-communist film about a plot to stir up pro-communist sympathies through an act of terrorism. A young village man foils the plot by infiltrating the communist camp and blowing it up instead.[3]