In today's article, we are going to dive into the exciting world of The Shadow in the Courtyard. From its origins to the present, The Shadow in the Courtyard has played a fundamental role in society, impacting both on a personal and global level. Over the years, The Shadow in the Courtyard has evolved and adapted to the changes of the modern world, staying relevant in different areas. Through this article, we will explore the most relevant aspects of The Shadow in the Courtyard, analyzing its influence in different contexts and its importance today. Don't miss this complete guide on The Shadow in the Courtyard!
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Author | Georges Simenon |
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Original title | French: L'Ombre chinoise |
Language | French |
Series | Inspector Jules Maigret |
Genre | Detective fiction, Crime fiction |
Publisher | Fayard |
Publication date | 1932 |
Publication place | Belgium |
Published in English | 1934 |
Media type | |
Preceded by | Guinguette by the Seine |
Followed by | Maigret Goes Home |
The Shadow in the Courtyard (other English-language titles are Maigret Mystified and The Shadow Puppet; French: L'Ombre chinoise) is a detective novel by Belgian writer Georges Simenon, featuring his character inspector Jules Maigret. The novel was written in Antibes in December 1931 and was published a month later, in January 1932, by the Parisian publishing house Fayard.[1]
The book has been translated three times into English: in 1934 by Anthony Abbot as The Shadow in the Courtyard , in 1964 as Maigret Mystified by Jean Stewart, and in 2015 by Ros Schwartz as The Shadow Puppet.[2]
The first German translation by Milo Dor and Reinhard Federmann was published by Kiepenheuer & Witsch in 1959. The new translation by Claus Sprick was published by Diogenes Verlag in 1982.[3]
The novel has been adapted five times for film and television: in Italian in 2004 as L'ombra cinese, with Sergio Castellitto in the main role and in 1966 as L'ombra cinese, with Gino Cervi in the lead role;[4][5] in French in 2004 as L'ombre chinoise, with Bruno Cremer in the main role and in 1969 as L'Ombre chinoise with Jean Richard in the lead role;[6][7] in English in 1961 as Shadow Play, with Rupert Davies in the main role.[8][9]
Anthony Boucher of The New York Times summarized the novel in 1964: "Maigret works against a background of respectable middle-class apartments, a cheap music hall and a sordid hotel in the Place Pigalle, all vividly realized, to solve a safe-robbery-plus-murder that reveals an unusually well-characterized killer".[10]