Nowadays, The Gypsy Baron (1954 film) is a topic that has captured the attention of many people around the world. With its impact on society and on different aspects of daily life, The Gypsy Baron (1954 film) has become a topic of constant discussion and debate. From its influence on the economy to its role in popular culture, The Gypsy Baron (1954 film) has become relevant in countless contexts. In this article, we will explore various facets of The Gypsy Baron (1954 film) and analyze its impact on different aspects of modern life. From its origin to its evolution over time, The Gypsy Baron (1954 film) continues to be a topic of interest to those seeking to better understand the world around them.
The Gypsy Baron | |
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![]() Film poster | |
German | Der Zigeunerbaron |
Directed by | Arthur Maria Rabenalt |
Written by | Ignaz Schnitzer (libretto) Curt J. Braun |
Based on | A cigánybáró by Mór Jókai |
Produced by | Kurt Ulrich |
Starring | Paul Hörbiger Gerhard Riedmann Margit Saad |
Cinematography | Kurt Schultz |
Edited by | Margarete Steinborn |
Music by | Johann Strauss II (operetta) |
Production company | |
Distributed by | Herzog-Filmverleih |
Release date |
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Running time | 105 minutes |
Country | West Germany |
Language | German |
The Gypsy Baron (German: Der Zigeunerbaron) is a 1954 West German operetta film directed by Arthur Maria Rabenalt and starring Paul Hörbiger, Gerhard Riedmann and Margit Saad.[1] It is an adaptation of the 1885 operetta A cigánybáró by Mór Jókai.
It was shot at the Tempelhof Studios in Berlin and on location in various places in Yugoslavia including Belgrade and Sarajevo. The film's sets were designed by Willi Herrmann, Paul Markwitz, Peter Schlewski and Heinrich Weidemann.