Today, Life Calls is a highly relevant topic that is discussed and analyzed in numerous areas. From politics to science, Life Calls has captured the attention of experts and the general public. Its impact is undeniable, and its influence extends to different aspects of modern society. In this article, we will explore in depth the various aspects of Life Calls, its implications and possible solutions. From its history to its future, we will dive into a detailed analysis that seeks to shed light on this topic of great importance today.
Life Calls | |
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Directed by | Arthur Maria Rabenalt |
Written by | Otto Ernst Hesse |
Based on | Mutter Erde by Max Halbe |
Produced by | Walter Tost |
Starring | Sybille Schmitz Paul Klinger Elsa Wagner |
Cinematography | Igor Oberberg |
Edited by | Gertrud Hinz-Nischwitz |
Music by | Albert Fischer |
Production company | |
Distributed by | Deutsche Filmvertriebs |
Release date |
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Running time | 77 minutes |
Country | Germany |
Language | German |
Life Calls (German: Das Leben ruft) is a 1944 German drama film directed by Arthur Maria Rabenalt and starring Sybille Schmitz, Paul Klinger and Elsa Wagner.[1] It was based on the 1898 play Mutter Erde by Max Halbe.[2] It was shot at the Babelsberg Studios in Berlin.[3] Location shooting took place in Breslau in Silesia. The film's sets were designed by the art director Ernst H. Albrecht.
After inheriting his father's farm estate in West Prussia, Paul Warkentin returns from Berlin to the countryside after many years away along with his wife Hella, to sell it. However he finds the terms of his inheritance do not allow this, while his wife strongly dislikes like the idea of living in the country. Further complications are added by Paul's childhood sweetheart Barbara.