This article will address the topic of Kuniko Mukōda, which has become very relevant today. From its origins to its implications in today's society, Kuniko Mukōda has been the subject of study and debate in various areas. Throughout history, Kuniko Mukōda has played a fundamental role in the development of humanity, influencing culture, politics, economics and people's daily lives. Through detailed analysis, the different facets of Kuniko Mukōda, its importance in the current context and its impact in the future will be explored.
Kuniko Mukōda | |
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Born | Kuniko Mukōda November 28, 1929 Wakabayashi, Setagaya, Ebara-gun, Tokyo Prefecture, Japan |
Died | August 22, 1981 Sanyi, Miaoli, Taiwan | (aged 51)
Occupation(s) | screenwriter, Novelist, Essayist |
Years active | 1952–1981 |
Kuniko Mukōda (向田 邦子, Mukōda Kuniko, November 28, 1929 – August 22, 1981) was a Japanese TV screenwriter. Most of her scripts focus on day-to-day family life and relationships. She won the 83rd Naoki Prize (1980上) for her short stories "Hanano Namae", "Kawauso" and "Inugoya."[1]
Mukōda was born in Tokyo, and moved around Japan in her early life due to her father's job. After she graduated from Jissen Women's College (Jissen Women's University), she got a job at Ondori Company, a film publicity company, in 1952. In 1960, she left the company and became a screenwriter and radiowriter. On August 22, 1981, she died on Far Eastern Air Transport Flight 103 when it crashed in Taiwan.
Mukōda is the author of the novel A, Un which she adapted from her screenplay of the same name.[2] The trio of stories for which she was awarded the Naoki prize were later published in the collection Omoide toranpu. Other short stories by Mukōda include:
Mukoda first wrote this story about a Showa Era (1926-89) love triangle as a TV drama (it was aired by Japanese public broadcaster NHK in 1980) and then rewrote it as a novel shortly thereafter. This is the only full-length novel that Mukoda completed before her untimely death in 1981.