In today's world, Henry Berman is a topic that generates great interest and impact on society. Since its origin, Henry Berman has been the subject of debate, research and development, with multiple perspectives and approaches. Throughout history, Henry Berman has played a fundamental role in people's lives, influencing the way they think, act and relate to their environment. In this article, we will explore different aspects of Henry Berman, analyzing its implications in various fields, from science and technology to culture and art. Additionally, we will examine how Henry Berman has evolved over time, adapting to social and economic changes.
Henry Berman | |
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Born | [1] Newcastle, Pennsylvania, U.S. | January 14, 1914
Died | June 12, 1979 Los Angeles, California, U.S. | (aged 65)
Occupation(s) | Film editor and producer |
Spouse | Rosemary Anita Cassidy m.1942 |
Children | 3 sons, 1 daughter |
Relatives | Pandro S. Berman (brother) |
Henry Michael Berman (January 1, 1914 – June 12, 1979) was an American film editor for RKO and a film producer for MGM.
Henry Berman was born to a Jewish family[2][3][4] in Newcastle, Pennsylvania in 1914. His father Henry (Harry) Berman, was general manager of Universal Pictures during Hollywood's formative years.[5]
Henry began his career working in a film laboratory at Consolidated Film Industries in the 1930s. He also worked in the lab for Universal Pictures. In 1933, he joined RKO as an editor and worked on musicals, including the Fred Astaire and Ginger Rogers films Follow the Fleet and Swing Time (both 1936), which were produced by his older brother Pandro S. Berman. He became an assistant to Pandro and moved with him to MGM in 1940.[5]
During World War II, Berman served in the US Army with the rank of captain and worked with Frank Capra on the documentary film series Why We Fight.[5]
Some of the films he produced at MGM after the war include Just This Once (1952), Torch Song (1953), Men of the Fighting Lady (1954), Bedevilled (1955), It's a Dog's Life (1955), and The Great American Pastime (1956).
He won the Academy Award for Best Film Editing for Grand Prix in 1966.[6]
He died in Los Angeles of cancer.[5]
Year | Award | Category | Entry | Result | Ref. | |
---|---|---|---|---|---|---|
1967 | 39th Academy Awards(Oscars) | Best film editing | Grand Prix (1966) | Won | [7] | |
1976 | Primetime Emmy Awards | Outstanding Achievement in Film Editing for Entertainment Programming for a Special | Babe (1975) | Nominated | [8] | |
1973 | Primetime Emmy Awards | Outstanding Achievement in Film Editing for Entertainment Programming - For a Special or Feature Length Program of a Series | Go Ask Alice (1973) | Nominated | [9] |
Henry Berman at IMDb