In this article, we are going to delve into the topic of Heard It in a Past Life, which has captured the attention of academics, experts and the general public due to its relevance today. From its origins to its implications in different areas, Heard It in a Past Life has been the subject of debate and study, generating different types of opinions and perspectives that enrich the current panorama. Through a detailed analysis, we aim to provide the reader with a broad and complete vision of Heard It in a Past Life, addressing its most relevant aspects in order to shed light on this topic of great interest.
Heard It in a Past Life is the debut studio album by American indie pop singer-songwriter Maggie Rogers, released on January 18, 2019, by Debay Sounds and Capitol Records. With help from its hit single "Light On" (2018), the album debuted at number two on the Billboard 200 chart and received mostly positive reviews from critics, eventually earning Rogers a Grammy Award nomination for Best New Artist.
Recording and production
Rogers worked on the album for two years, with Rostam Batmanglij, Greg Kurstin, and other high-profile musicians in producer roles.[1] Rogers stated in an interview about the album that "there was so much change that happened so fast, I wasn't always sure how to make all this stuff feel like me. I was really overwhelmed for a while, and scared too."[2][3]
Heard It in a Past Life was released on January 18, 2019, by Debay Sounds under exclusive license to Capitol Records.[8] According to Rolling Stone, it "announced her as a major indie-pop force and catapulted her into a yearlong tour of sold-out theaters and massive clubs".[9] It debuted at number two on the Billboard 200 in its first release week, and by April, it had sold 200,000 album-equivalent units. Since its 2019 release, the album has amassed more than 900 million streams on Spotify.[10]
Heard It in a Past Life was met with generally positive reviews. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 71, based on 23 reviews.[12] Tony Clayton-Lea of The Irish Times called it a "vibrant electro-pop collection",[18] while USA Today's Maeve McDermott hailed it as one of 2019's best folk-pop albums, along with Weyes Blood's Titanic Rising.[23]Q magazine found the album "thoughtfully constructed and often enchanting",[21] and AllMusic's Heather Phares said Rogers "finds different ways to forge her own bright, assured version of pop" on a "strong debut".[13]
Other reviewers were more critical. Both Laura Snapes of Pitchfork[20] and Greg Kot of the Chicago Tribune believed much of the album was overproduced by high-profile co-producers to the detriment of Rogers' talents.[14]Tom Hull said he "could see her developing into some kind of pop star, but may be too adult too early", giving the album a B-plus.[24]
^Jonathan Bernstein; Jon Blistein; Jon Dolan; Patrick Doyle; Brenna Ehrlich; Suzy Exposito; Jon Freeman; David Fricke; Kory Grow; Will Hermes; Christian Hoard; Charles Holmes; Joseph Hudak; Brendan Klinkenberg; Elias Leight; Angie Martoccio; Claire Shaffer; Rob Sheffield; Hank Shteamer; Brittany Spanos; Simon Vozick-Levinson (2019-12-05). "The 50 Best Albums of 2019". Rolling Stone. Retrieved 2019-12-06.