In this article, Date with the Night will be addressed from different perspectives, with the aim of providing a complete and detailed view of this topic. Its origins, its development over time, as well as its implications in today's society will be analyzed. In addition, different opinions and points of view will be presented that will allow the reader to form a clear and objective idea. Through a rigorous and critical approach, the aim is to offer a global vision that invites reflection and debate. Date with the Night is a highly relevant topic that deserves to be studied and understood in its entirety, which is why this article is proposed as a fundamental tool for those interested in deepening its understanding.
"Date With The Night" | ||||
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Single by Yeah Yeah Yeahs | ||||
from the album Fever to Tell | ||||
Released | April 14, 2003 (UK) | |||
Recorded | Headgear Studio (Brooklyn, New York) | |||
Genre | Post-punk[1] | |||
Length | 2:35 | |||
Label | Polydor (UK) | |||
Songwriter(s) | ||||
Producer(s) | ||||
Yeah Yeah Yeahs singles chronology | ||||
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Music video | ||||
"Date With The Night" on YouTube |
"Date With The Night" is the first single from Fever to Tell by the Yeah Yeah Yeahs. This single also includes the B-side "Yeah! New York" which can also be found as a bonus track on the UK release of Fever to Tell, and an exclusive remix of "Bang" from their debut EP, Yeah Yeah Yeahs (2001).[2] The single peaked at number sixteen on the UK's official charts.[3] The video, directed by Patrick Daughters, was, supposedly, shot at Bristol University Union's Anson Rooms on Saturday 1 March 2003 but also contains scenes shot at other venues during the same tour, including The Zodiac in Oxford. The song is also available as a downloadable track for the music video game series Rock Band.[4] The song is also featured on the soundtrack for the British teen soap opera Skins[5] and is used in an episode opening scene in the second season of Netflix's Daredevil.[6][7]
"Date With the Night" was met with acclaim from music critics upon its release. In a review of the song, Allmusic's Tom Maginnis said that "the band scatter sinewy riffs laced with soiled power chords and volcanic eruptions of white noise with joyous irreverence."[8] Blender noted that the song had a "disco pulse,"[9] while Entertainment Weekly's Emily Wilson called the song "ferocious."[10] Pitchfork praised the song's "stop/start emergency-room shriek."[11] The Guardian's review noted that "You scarcely notice how mannered the vocals are when there is great music powering away behind" Karen O.[12]
The song debuted and peaked on the Official UK Singles Chart on the chart dated April 26, 2003, at number 16.[3] It remains their highest-peaking single in the United Kingdom.[13]
CD & 7" Single[2]
Chart (2003) | Peak position |
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UK Singles (OCC)[14] | 16 |
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