Today, Cotton Tail is a topic that has become increasingly relevant in modern society. With the advancement of technology and globalization, Cotton Tail has become a central point of debate and interest for people of all ages and backgrounds. As we move closer to further understanding the impact of Cotton Tail, new questions and challenges arise that deserve to be explored. In this article, we are going to delve into the world of Cotton Tail, exploring its various aspects, implications and consequences in our daily lives. From its history to its influence on popular culture, we will dive into an exhaustive analysis that will allow us to better understand the importance of Cotton Tail today.
This article relies largely or entirely on a single source. (October 2011) |
"Cotton Tail" is a 1940 composition by Duke Ellington.[1] It is based on the rhythm changes from George Gershwin's "I Got Rhythm". The first Ellington recording (4 May 1940)[2][3] is notable for the driving tenor saxophone solo by Ben Webster. Originally an instrumental, "Cotton Tail" later had lyrics written for it by Ellington. Later, more lyrics were written, based on the 1940 recording, by Jon Hendricks, and recorded by Lambert, Hendricks and Ross.
The 1941 Soundie gives the title as "Hot Chocolate", with "Cotton Tail" below it in parentheses and smaller letters, but this was likely done by the producer, as that title does not seem to appear anywhere else between the original record's release and this production.
Slide Hampton's arrangement of "Cotton Tail" on Dee Dee Bridgewater's 1997 album Dear Ella won him the Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s) in 1998.
"Cotton Tail" is the theme song for "The Art of Jazz", a music history radio program hosted by Ken Wiley on KNKX-FM. Wiley plays Ellington's entire version of "Cotton Tail" both at the beginning and at the end of every show.