In today's article we are going to delve into the topic of Afro-Bossa, an issue that has generated debate and controversy in recent times. Afro-Bossa is an issue that affects a wide spectrum of society, from professionals in various areas to ordinary people who face challenges related to this issue in their daily lives. In this article we will explore different perspectives and approaches related to Afro-Bossa, with the aim of shedding light on its implications and offering a comprehensive view of this issue. Regardless of your level of experience or prior knowledge about Afro-Bossa, through this article you will find relevant and valuable information that will allow you to better understand this issue and its possible implications in various areas. Read on to delve into the fascinating and complex world of Afro-Bossa!
Afro-Bossa is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1963.[1]
Reception
The Allmusic review by Ken Dryden awarded the album 4 stars and stated "This is easily one of Duke Ellington's essential studio recordings of the 1960s, though it isn't as widely recognized as it ought to be".[2]
Recorded at Fine Studios, New York on November 29, 1962 (track 9), December 14, 1962 (track 12), December 20, 1962 (tracks 6 & 11), January 4, 1963 (track 10), and January 5, 1963 (tracks 1-5, 7 & 8).