This article will address Co-Balt from different perspectives, in order to offer readers a comprehensive and detailed view on this topic. Relevant aspects will be analyzed, relevant data will be presented and various opinions from experts in the field will be offered. Co-Balt is a topic that arouses great interest and curiosity in today's society, so it is essential to delve into its study to understand its importance and impact in different areas. Throughout this article, different facets of Co-Balt will be explored, with the purpose of providing readers with a complete and enriching overview of this topic.
Co-Balt | ||||
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Studio album by | ||||
Released | April 9, 2002 | |||
Recorded | Fall 2001 | |||
Genre | Rock, Southern rock, jam | |||
Label | Widespread Records (US) Evangeline Records (UK) | |||
Producer | John Keane | |||
Brute. chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Austin Chronicle | ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 5.9/10[4] |
Co-Balt is the second and final studio album by the Athens, Georgia-based band brute., a collaboration between guitarist Vic Chesnutt and the members of Widespread Panic.[5] It was released seven years after the band's debut release, Nine High a Pallet, on April 9, 2002.[6] The night of the release, the band played their final live concert (though they would play a radio show a few weeks later) at the Tabernacle in Atlanta, Georgia.
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