Today, Alan Dean Foster is a topic of great relevance and interest to a wide spectrum of people in society. Its impact ranges from the personal to the global level, influencing decisions, trends and opinions. Alan Dean Foster has aroused the interest of researchers, academics, professionals and the general public, who seek to understand its implications, causes and possible solutions. In this article, we will explore different aspects related to Alan Dean Foster, analyzing its importance, evolution and debates that it currently generates.
Alan Dean Foster (born November 18, 1946) is an American writer of fantasy and science fiction. He has written several book series, more than 20 standalone novels, and many novelizations of film scripts.
Career
Star Wars
Foster was the ghostwriter of the original novelization of Star Wars, which was credited solely to George Lucas.[1] When asked if it was difficult for him to see Lucas get all the credit for Star Wars, Foster said, "Not at all. It was George's story idea. I was merely expanding upon it. Not having my name on the cover didn't bother me in the least. It would be akin to a contractor demanding to have his name on a Frank Lloyd Wright house."[2]
Foster also wrote the follow-up novel Splinter of the Mind's Eye (1978), written with the intention of being adapted as a low-budget sequel to Star Wars if the film was unsuccessful. However, Star Wars was a blockbusting success, and The Empire Strikes Back (1980) would be developed instead. Foster's story relied heavily on abandoned concepts that appeared in Lucas's early treatments for the first film.[3]
Foster has written novelizations of several films in the Alien franchise, beginning with the first film. He was not allowed to view H.R. Giger's design for the titular creature,[5][6] leading to the use of vague descriptions such as "something man-shaped but definitely not a man".[7] This adaptation has been noted as a "classic" of novelizations that is "almost as timeless as the movie".[7][8] It was later collected in omnibus form with Foster's novelizations of Aliens and Alien 3. During the writing of the latter, he attempted to avoid killing off two characters as in the screenplay but was overruled by the film's producers.[9] This led to him turning down the novelization of the following film, Alien: Resurrection,[10] although Foster later returned to the series to novelize Alien: Covenant and write a further spin-off, Alien: Covenant – Origins.[6]
Star Trek
Foster wrote 10 books based on episodes of the animated Star Trek, the first six books each consisting of three linked novella-length episode adaptations, and the last four being expanded adaptations of single episodes that segued into original story. In the mid-seventies, he wrote original Star Trek stories for the Peter Pan-label Star Trek audio story records. He has the story credit for Star Trek: The Motion Picture,[11] as he wrote a treatment based on a two-page outline by Gene Roddenberry.
He later wrote the novelization of the 2009 film Star Trek, his first Star Trek novel in over 30 years,[12] and for Star Trek's sequel, Star Trek Into Darkness.[13]
"Serenade" (2004), a novelette set immediately after The Time of the Transference,[22] was first published in the anthology Masters of Fantasy and was later reprinted in Foster's short story collection Exceptions to Reality.[23]
^Bently, Lionel; Biron, Laura (2014). "The author strikes back: Mutating authorship in the expanded universe". Law and Creativity in the Age of the Entertainment Franchise. Cambridge University Press. p. 44. ISBN978-1-107-03989-6.
^"Kaiburr crystal". StarWars.com. Archived from the original on September 13, 2011. Retrieved November 17, 2018.