In this article, we are going to explore Zero Focus from a unique and detailed perspective. Zero Focus is an exciting topic that has captured the interest of many, and rightly so. Throughout this writing, we will analyze the impact that Zero Focus has had in different areas, as well as its relevance today. By delving into its history and evolution, we will discover the factors that have contributed to its importance and the trends that have shaped its development. Additionally, we will delve into the different points of view and opinions surrounding Zero Focus, providing a comprehensive view on this intriguing topic. Get ready to immerse yourself in an informative and insightful journey about Zero Focus!
Zero Focus | |
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![]() Theatrical poster | |
ゼロの焦点 | |
Directed by | Yoshitaro Nomura |
Written by | |
Based on | Zero no shōten by Seicho Matsumoto |
Produced by | Ichinosuke Hozumi |
Starring | Yoshiko Kuga |
Cinematography | Takashi Kawamata |
Edited by | Yoshiyasu Hamamura |
Music by | Yasushi Akutagawa |
Production company | |
Distributed by | Shochiku |
Release date |
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Running time | 95 minutes[1] |
Country | Japan |
Language | Japanese |
Zero Focus (ゼロの焦点, Zero no shōten) is a 1961 Japanese crime drama film directed by Yoshitarō Nomura, and co-written by Shinobu Hashimoto and Yoji Yamada. It is based on the novel of the same name by Seichō Matsumoto.[2][3] A remake of the film was released in 2009.
One week into newlywed Teiko Uhara's marriage, her husband, ad agency manager Kenichi, leaves on a short business trip to Kanazawa and doesn't return. With a pair of old photographs she found among his belongings, Teiko travels across Japan to search for him, first with the help of her husband's employer, later on her own. After a series of mysterious deaths, including a reception girl of the agency's Kanazawa branch, who turns out to be Kenichi's common law wife, and Kenichi's alleged suicide, all clues lead to Sachiko Murota, wife of a wealthy business partner of her husband. Teiko confronts Mrs. Murota and blames her for murdering Kenichi and everyone who knew of her past as a prostitute in the post-war era. Yet, as Mrs. Murota's confession reveals, the truth is even more complex than that.
Seicho Matsumoto's novel was again adapted in 2009 by Isshin Inudō with Ryōko Hirosue as Teiko Uhara.[2]