In this article we are going to explore the fascinating world of Zakhmi Aurat, a topic that has captured the attention of people of all ages and interests. From his impact on society to his relevance in history, Zakhmi Aurat has left an indelible mark on popular culture. Over the next few lines, we will examine in depth all facets of Zakhmi Aurat, from its origins to its evolution today. Regardless of whether you are passionate about the subject or simply want to learn more about it, this article will provide you with a complete and enriching insight into Zakhmi Aurat.
| Zakhmi Aurat | |
|---|---|
| Directed by | Avtar Bhogal |
| Based on | The Ladies Club by Janet Greek |
| Starring | |
| Music by | Bappi Lahiri |
Release date |
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| Country | India |
| Language | Hindi |
Zakhmi Aurat (English : Wounded Woman) is a 1988 Indian Hindi drama movie starring Dimple Kapadia and Raj Babbar and directed by Avtar Bhogal. Kapadia played Kiran Dutt, a police officer who is subject to gang rape and, when the judicial system fails to convict the criminals, unites with other rape victims to castrate the rapists in revenge.[1][2]
This film is inspired by the 1986 X-rated thriller The Ladies Club by Janet Greek.
The film is about women who have been raped and how they get revenge by castrating the rapists. Kiran Dutt is a woman police officer who is gang raped by three goons in gruesome fashion - her jeans and panty flung on the fan, her hands and legs spread wide apart and tied to bed posts, as testimony to the ghastly act taking place below. In the film the victim's trust in the Indian judicial system is shattered when despite her testimony, her rapists walk free. She decides to punish the rapists by forming a gang of wronged women and the modus operandi is to first identify the rapists, trap them and then castrate them one by one.
All songs are written by Faruk Kaiser.
| Song | Singer |
|---|---|
| "Tauba Tauba, Allah Tauba" | Asha Bhosle |
| "Pal Pal Jale Meri Aatma" | Asha Bhosle |
| "Pyar Mila, Sab Kuch Mila, Pyar Hai To Sansar Hai" | Anuradha Paudwal, Mohammed Aziz |
| "Apni Raksha Aap Karegi" | Mohammed Aziz |
| "Apni Raksha Aap Karegi" | Chandrani Mukherjee |
Dialogues of this movie written by Iqbal Durrani became quite popular.
A financial success, the film opened to a polarised reaction from critics and further attracted wide coverage for its lengthy and brutal rape scene involving Kapadia.[3][4] Khalid Mohammed of The Times of India noted Kapadia's "power packed performance" but criticised the rape sequence as "utter lasciviousness" and "vulgarity spattering through the screen".[5] Feminist magazine Manushi panned its low cinematic quality, including the absurdity of the action scenes and the "ugly kind of titillation" in the rape scene, but believed it "stays closer to women's experience" than other films of its sort; the review was particularly approving of Kapadia's work: "What really carries the film through is Dimple Kapadia's performance—low key, moving and charming without being at all clinging or seductive. She brings a conviction to her role that is rare among Bombay heroines."[6]
In later years, The Times of India labelled it a "B-grade movie" though it noted Kapadia's convincing portrayal of "anguish and bitterness at being denied justice".[7] M.L. Dhawan from The Tribune, while documenting the famous Hindi films of 1988, praised Kapadia for "proving her mettle as an actress of intensity and passion."[8] Subhash Jha, however, wrote in 2002 that its box-office outcome notwithstanding, Zakhmi Aurat "turned into quite an embarrassment for its leading lady".[9]