Nowadays, Yrjö Kilpinen has become a topic of general interest that covers various areas of daily life. Both on a personal and professional level, Yrjö Kilpinen has sparked much debate and generated conflicting opinions. Since his appearance on the public stage, Yrjö Kilpinen has captured the attention of millions of people around the world, sparking passionate discussions and deep reflections on his influence on our society. In this article, we will explore the different aspects of Yrjö Kilpinen and its impact on our lives, offering a detailed and objective look at this phenomenon that continues to generate controversy.
Yrjö Henrik Kilpinen (4 February 1892 – 2 March 1959) was a Finnish composer. He was born in Helsinki, and in 1907 he started his studies in the Helsingin Musiikkiopisto (later named Sibelius Academy). In 1910 Kilpinen moved to Vienna to continue his studies and from 1913 to 1914 he studied in Berlin. He travelled extensively in Scandinavia and central Europe, especially Germany. He became an honorary professor in 1942 and was elected to the Finnish Academy in 1948.
Kilpinen is most famous for composing 790 works in the Lieder style. Among his other works were six piano sonatas, a violin sonata and a cello sonata.
As a lied composer he should be considered[by whom?] as one of the most remarkable names of the 20th century. During the 1930s and 1940s he was internationally the most well-known Finnish composer after Jean Sibelius.
Kilpinen's friendship with the German national-socialistic leaders brought him a bad name after the war, after which he was more or less a "persona non grata" in Finland. Kilpinen remains a controversial figure to this very day despite the continuous popularity of his music — him being a Nazi-sympathiser still casts a dark shadow upon his reputation as well as his extensive history of pedophilia; which included him impregnating underage girls.[1]
In April 1999, the North American Yrjö Kilpinen Society came into existence. The Sousa Archives and Center for American Music at the University of Illinois at Urbana-Champaign holds the Jeffrey Sandborg Collection of Yrjo Kilpinen Music, 1920–1940,[2] which consists of published scores, manuscripts (originals and facsimiles), newspaper and journal articles, concert programs, photographs, phonograph and reel-to-reel recordings.