Y. V. Rao

In today's world, Y. V. Rao has become a topic of great relevance and interest to a wide spectrum of society. Both experts and amateurs, studious and curious, have found in Y. V. Rao a fertile field for exploration and debate. With the advancement of technology and globalization, Y. V. Rao has acquired even greater relevance, becoming an object of study and interest in various areas of knowledge. In this article, we will delve into the fascinating world of Y. V. Rao, exploring its impact, its evolution over time and the different perspectives from which it can be approached.

This article is about the film director born in 1903. For the journalist turned film producer, see Y. V. Rao (producer and journalist).
Y. V. Rao
యెర్రగుడిపాటి వరదరావు
Y. V. Rao in 1948
Born
Yaragudipati Varada Rao

(1903-05-30)30 May 1903
Nellore, Madras Presidency, British India
Died13 February 1979(1979-02-13) (aged 75)
Madras, Tamil Nadu, India[1]
Occupations
  • Film director
  • producer
  • actor
  • screenwriter
  • editor
Years active1930–1968
Spouse(s)Rajam, Kumari Rukmani
ChildrenLakshmi
RelativesAishwariyaa Bhaskaran (granddaughter)

Yaragudipati Varada Rao (30 May 1903 – 13 February 1979[1]) was an Indian director, actor, screenwriter, and editor known for his works primarily in Telugu, Kannada, and Tamil films.[2] Rao plunged into theatre and did a few stage plays before moving to Kolhapur and Bombay to act in silent films.[3][4] Rao started his career as a lead actor in many silent films such as Gajendra Moksham (1923),[5] Garuda Garvabhangam (1929),[6] and Rose of Rajasthan (1931).[5][7][8] Regarded as one of the greatest filmmaking pioneers of the Cinema of South India,[3][7] he made motion-pictures across Telugu, Kannada, Tamil, Konkani, and Hindi languages, apart from silent films.[3][7]

Rao made significant contributions to South cinema during the British rule in India. Rao's 1934 film Sati Sulochana was the first talkie film in the Kannada language.[3][7] In 1937, he directed the hagiographical classic Chintamani, the Tamil sleeper hit ran for a year with highest estimated footfall at a single screen in India, and British Ceylon.[9] Rao's 1938 film Swarnalatha was one of the finest political drama scripted by Ayyalu Somayajulu; with prohibition as the central theme, in which Rao played the lead. The film was shot extensively at Newtone Studios, Kilpauk, during Madras Presidency.[7] Rao's 1940 film, Viswa Mohini, is the first Indian film, depicting the Indian movie world, scripted by Balijepalli Lakshmikanta Kavi, starring V. Nagayya.[10] Rao subsequently made the mythology sequel films Savithiri (1941), and Sathyabhama (1942) casting thespian Sthanam Narasimha Rao.[3]

Personal life

Yaragudipati Varada Rao was born in Telugu Brahmin family[3][1] of Nellore in the then Madras Presidency of British India in May 1903. In the late 1920s, he moved to Madras and ventured into Kannada cinema.[3] He married Kumari Rukmini who was paired with him in Lavangi (1946). Indian actress Lakshmi is their daughter.[11]

Early career

Rao moved into film direction and made silent films such as Pandava Nirvan (1930), Pandava Agnathavaas (1930) and Hari Maya (1932). In 1932, a Marwari businessman, Chamanlal Doongaji from Bangalore, launched South India Movie Tone. The company made Sati Sulochana, the first talking picture in Kannada with an expense of ₹40,000 (equivalent to ₹14 million or US$160,000 in 2023). Rao directed this blockbuster film shot at Chatrapathi Cinetone, in Kolhapur; the shooting took eight weeks. He then directed Hari Maya (1932) that starred his first wife, Rajam.[3]

Selected filmography

As Director

  • 1930: Pandava Agyathavas (silent)
  • 1930: Sarangadhara (silent)
  • 1932: Hari Maya (Kannada - Director)
  • 1934: Sati Sulochana (Kannada - Cast)
  • 1935: Naganand (Hindi)
  • 1936: Bhama Parinayam (Tamil)
  • 1937: Chintamani (Tamil)
  • 1938: Bhakta Meera (Tamil)
  • 1938: Swarnalatha (Tamil)
  • 1939: Malli Pelli (Telugu - Cast)
  • 1940: Viswa Mohini (Telugu - Cast)
  • 1941: Savithiri (Tamil - Cast, Singer)
  • 1942: Sathyabhama (Telugu - Cast)
  • 1944: Thasildar (Telugu - Cast)
  • 1946: Lavangi (Tamil)
  • 1948: Ramadas (Tamil)
  • 1950: Jeevit Amche Ashe (Konkani)
  • 1952: Manavathi (Telugu-Tamil)
  • 1953: Manjari (Telugu - Cast)
  • 1956: Bhagya Chakra (Kannada)
  • 1958: Sri Krishna Garudi (Telugu)
  • 1961: Nagarjuna (Telugu-Kannada)
  • 1963: Hennina Balu Kanneru (Kannada)
  • 1973: Stree (Telugu)

References

  1. ^ a b c "Y V Rao". Cinemaazi. Retrieved 19 April 2024.
  2. ^ Narasimham, M. L. (28 May 2011). "Malli Pelli (1939)". The Hindu.
  3. ^ a b c d e f g h Guy, Randor (22 August 2003). "A revolutionary filmmaker". The Hindu. Archived from the original on 19 November 2016. Retrieved 19 November 2016.
  4. ^ "Satyabhama (Y.V. Rao) 1942". Indiancine.ma.
  5. ^ a b Baskaran, S Theodore (2004). Em Thamizhar Seidha Padam (Paperback ed.). Chennai: Uyirmmai Padippagam. pp. 46–50. ISBN 81-88641-29-4.
  6. ^ Guy, Randor (29 January 2011). "Garuda Garvabhangham 1936". The Hindu. ISSN 0971-751X. Retrieved 10 October 2022.
  7. ^ a b c d e Guy, Randor (26 July 2014). "Swarnalatha (1938)". The Hindu.
  8. ^ "Viswamohini review Indian express". hindi-films-songs.com.
  9. ^ "An unforgettable superhit". The Hindu. 3 March 2008.
  10. ^ Narasimham, M. L. (23 June 2013). "Viswamohini (1940)". The Hindu.
  11. ^ Guy, Randor (25 May 2013). "Lavangi (1946)". The Hindu. Archived from the original on 10 September 2013. Retrieved 19 November 2016.