This article will address the topic of Willow (2019 film), which is of great relevance today. Willow (2019 film) has gained great importance in various areas, generating interest and debate among experts and the general public. Over the years, Willow (2019 film) has sparked a series of investigations, theories and reflections that have enriched knowledge around this topic. Likewise, Willow (2019 film) has generated various positions and opinions that reflect the diversity of perspectives that exist on the matter. In this article, different aspects related to Willow (2019 film) will be analyzed, as well as its implications and repercussions in today's society.
Willow | |
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Macedonian | Врба |
Directed by | Milcho Manchevski |
Written by | Milcho Manchevski |
Starring | Sara Klimoska, Natalija Teodosieva, Kamka Tocinovski, Nenad Nacev, Nikola Risteski, Petar Caranovic |
Cinematography | Tamás Dobos |
Edited by | Nicolas Gaster |
Music by | Kiril Dzajkovski |
Release date |
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Running time | 101 minutes |
Country | North Macedonia |
Language | Macedonian |
Willow (Macedonian: Врба, romanized: Vrba) is a 2019 Macedonian drama film by Milcho Manchevski. It is about three women coping with issues of control over their bodies, tradition and adoption. The film premiered at the Rome Film Festival in 2019.[1] А Macedonian-Belgian-Hungarian-Albanian coproduction, it screened at a number of international film festivals, winning several awards: Silver Palm at Mostra de Valencia, best director at Raindance, best film at Cinequest, Manuel De Oliveira Award at Fantasporto etc.
Three women – one medieval, two contemporary – struggle to become mothers. They have not set out to change the world or society, but their struggles with tradition, loyalty, adoption and control over their bodies make them unlikely heroines.