In today's world, Willard Van der Veer is a topic of great relevance and debate. With the advancement of technology and globalization, Willard Van der Veer has become a key element in our society, impacting different aspects of daily life. From economics to politics, Willard Van der Veer has generated discussions and reflections in all areas. This is why it is essential to thoroughly analyze this phenomenon, understand its implications and seek solutions to the challenges it presents. In this article, we will explore different perspectives on Willard Van der Veer, from its origin to its impact today, with the aim of offering a complete and enriching overview of this very relevant topic.
Willard Van der Veer | |
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Born | Brooklyn, New York, USA | August 23, 1894
Died | June 16, 1963 Encino, California, USA | (aged 68)
Occupation | Cinematographer |
Years active | 1930-1963 |
Willard Van der Veer (August 23, 1894 – June 16, 1963) was an American cinematographer who won an Academy Award at the 3rd Academy Awards for Best Cinematography for the film With Byrd at the South Pole[1][2] with Joseph T. Rucker. He started his career as a documentary cameraman and later did a couple episodes of Maverick and the film The Crawling Hand. Mount Van der Veer was named after him. He is the father of Frank Van der Veer, a Hollywood visual effects artist who founded Van Der Veer Photo Effects and won, in 1977, a Special Achievement Academy Award for the 1976 version of King Kong (this Oscar was shared with Carlo Rambaldi and Glen Robinson[3]).