In this article, we will take an in-depth look at Wilfred Noy and its impact on today's society. Since its appearance, Wilfred Noy has generated endless opinions and debates, becoming a recurring topic of conversation. In recent years, Wilfred Noy has acquired even greater relevance, influencing aspects as diverse as politics, economics, culture and technology. Throughout these pages, we will explore the different angles from which Wilfred Noy can be approached, examining its implications and challenges in the contemporary world. Without a doubt, Wilfred Noy continues to be a cause for reflection and analysis, and this article seeks to shed light on its importance and significance.
Wilfred Noy | |
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![]() From a 1925 trade magazine | |
Born | South Kensington, London, England | 24 December 1883
Died | 29 March 1948 | (aged 64)
Occupation(s) | Film director Actor Screenwriter Film producer |
Years active | 1910-1939 |
Wilfred Noy (born Wilfred Noy Blumberg, 24 December 1883 – 29 March 1948[1]) was an English film director, actor, screenwriter and producer of the silent era. Noy was the maternal uncle of Leslie Howard.[2] He directed more than 80 films between 1910 and 1936. He also appeared in 18 films between 1924 and 1939.[3]
In 1925 he went to the United States to make The Lost Chord, a remake of one of his earlier British hits. He stayed to make several more films in America during the late 1920s[4] before returning to Britain. He was born in South Kensington, London and died in Worthing, Sussex.[5]