Wen Tong

Nowadays, Wen Tong is a topic that has gained great relevance in society. It is a topic that has generated interest and debate in different sectors, since its impact has been felt in different spheres of daily life. From Wen Tong, people from different fields have expressed their opinion and have sought to thoroughly understand the different nuances it covers. In this article, we will explore Wen Tong in depth, analyzing its various facets and its influence today. Through a detailed and rigorous approach, we aim to provide a comprehensive view on Wen Tong and its importance in contemporary society.

Bamboo in Monochrome Ink. National Palace Museum, Taiwan

Wen Tong (Chinese: 文同; pinyin: Wén Tóng; Wade–Giles: Wen T'ung) (1019–1079)[1] was a Northern Song painter born in Sichuan[2] famous for his ink bamboo paintings. He was one of the paragons of "scholar's painting" (shi ren hua), which idealised spontaneity and painting without financial reward.[citation needed]

He could hold two brushes in one hand and paint two different distanced bamboos simultaneously.[citation needed] One Chinese idiom in relation to him goes "there are whole bamboos in his heart" (胸有成竹), meaning that one has a well-thought-out plan in his mind.

As did many artists of his era, Wen Tong also wrote poetry. As attested in his poems, he had at least one golden-hair monkey (金丝狨) and a number of pet gibbons, whose graceful brachiation he admired. An elegy written by him upon the death of one of his gibbons has been preserved in the collection of his works.[3]

Notes

  1. ^ Barnhart, Page 373. Wen Tong's style name was Yuke (与可) with several sobriquets: Jinjiang Daren(锦江道人), Xiaoxiao Jushi (笑笑居士), and Shishi Xiansheng (石室先生)
  2. ^ Ci hai, Page 1533.
  3. ^ Robert van Gulik, The gibbon in China. An essay in Chinese animal lore. E.J. Brill, Leiden, Holland. (1967). Pages 77-79. The book includes the original text of Wen Tong's elegy and van Gulik's translation.

References

  • Chaves, Jonathan . Cave of the Immortals: The Poetry and Prose of Bamboo Painter Wen Tong . Warren CT: Floating World Editions, 2017 .
  • Barnhart, R. M. et al. (1997). Three thousand years of Chinese painting. New Haven, Yale University Press. ISBN 0-300-07013-6
  • Ci hai bian ji wei yuan hui (辞海编辑委员会). Ci hai (辞海). Shanghai: Shanghai ci shu chu ban she (上海辞书出版社), 1979.


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