In the world of Weekend Wives, there are endless aspects that deserve to be explored and analyzed carefully. From its origins to its relevance today, Weekend Wives has been the subject of fascination and debate. In this article you will embark on a journey through the different aspects that make up Weekend Wives, from its sociocultural implications to its impact on everyday life. Through reflection and deep analysis, you will discover the complexity and importance of Weekend Wives in the modern world. Get ready to expand your horizons and immerse yourself in a universe of knowledge and discovery!
Weekend Wives | |
---|---|
![]() German poster | |
Directed by | Harry Lachman |
Written by | Victor Kendall Rex Taylor |
Starring | Monty Banks Jameson Thomas Estelle Brody Annette Benson |
Cinematography | Jack E. Cox |
Edited by | Emile de Ruelle |
Production company | |
Distributed by | Wardour Films |
Release date |
|
Running time | 86 minutes |
Country | United Kingdom |
Languages | Silent English intertitles |
Weekend Wives is a 1928 British silent comedy film directed by Harry Lachman and starring Monty Banks, Jameson Thomas and Estelle Brody. It was made at British International Pictures's Elstree Studios. The film is set in Paris and resort town of Deauville.
One reviewer described it as being "as beautifully photographed, gowned and set as the average Paramount picture and as silly".[1]
Exteriors were filmed in Paris, Biarritz, and Nice.[2]