In this article, the topic of Warner Music Poland will be addressed, which has gained relevance today due to its impact in different areas. Since its appearance, Warner Music Poland has sparked intense debate and has aroused the interest of researchers, academics, professionals and the general public. Its influence has extended to various spheres such as sociology, economics, culture, politics and technology. Along the following lines, we will try to analyze and understand in depth the phenomenon of Warner Music Poland, exploring its implications, scope and possible consequences.
Warner Music Poland | |
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Parent company | Warner Music Group |
Founded | 1994 |
Genre | various |
Country of origin | Poland |
Location | ul. Osmańska 11, 02-823 Warsaw |
Official website | www |
Warner Music Poland Sp. z o.o., is a Polish subsidiary of Warner Music Group, it was founded in 1994 in Warsaw.[1] The label's CEO is Piotr Kabaj.[2]
The label started with a catalog of Polish national record label Polton which was bought from Starstream Communications Group by Warner Music Group.[3][4][5][6]
In 2014 Warner Music Poland was merged with Parlophone Music Poland Sp. z o.o., after Parlophone Records, Ltd. was sold by Universal Music Group to Warner Music Group[7][8]
Warner Music Poland catalogue includes also EMI Music Poland releases before it was renamed in 2013 to Parlophone.[9] That include rights for titles by such artists as Blue Café, T.Love, Voo Voo, Wojciech Waglewski, Wilki and Pati Yang among others.
WMP distributes in Poland releases by such labels as Warner Classics, Nuclear Blast and Roadrunner Records among others.[10]
WMP acquired Polskie Nagrania Muza, Poland's oldest record label, in May 2015.[11]