In today's world, Walter Blankenburg has become a topic of great relevance and interest to people of all ages and areas of expertise. Since its emergence, Walter Blankenburg has captured the attention of individuals and experts alike, generating debates, research and analysis around its implications and repercussions in different areas. In this article, we will explore in depth the most relevant aspects related to Walter Blankenburg, from its origin to its possible future projections. We will analyze its impact on society, its influence on culture and its importance in the academic field, with the aim of offering a comprehensive and updated vision of this topic that is so significant today.
Walter Blankenburg | |
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![]() Blankenburg, in the 1960s | |
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Died | 10 March 1986 | (aged 82)
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Walter Blankenburg (31 July 1903 – 10 March 1986) was a German Protestant pastor, director of church music and musicologist, who focused in several publications on liturgy, hymnology, and on the sacred music of the early Baroque period, especially by Johann Sebastian Bach.
Born in Emleben near Gotha, Blankenburg, the son of a pastor, studied theology, history and musicology at the University of Rostock. in Tübingen, Göttingen, Freiburg im Breisgau and Berlin. He was promoted to Ph.D. in 1943 in Göttingen with a dissertation about Die innere Einheit von Bachs Werk.
He was a member of the group preparing the Evangelisches Kirchengesangbuch from 1939 to 1949. He was director of the Kirchenmusikschule of the Evangelische Kirche von Kurhessen-Waldeck in Schlüchtern from its foundation in 1947 to his retirement in 1968. He was from 1941 to 1981 editor (Schriftleiter) of the magazine Musik und Kirche (Music and church. He founded in 1976, together with Renate Steiger , the Internationale Arbeitsgemeinschaft für theologische Bachforschung In 1962, he was awarded an honorary doctorate of the University of Marburg. He died in Schlüchtern.
An award of the Protestant Church is named after him.[1]