Ustad

In today's world, Ustad has become a topic of great relevance and interest to a wide range of people. The importance of Ustad in our society has grown in recent years, and its impact can be felt in many aspects of daily life. Both in the personal and professional spheres, Ustad has proven to be a determining factor in decision-making and in the configuration of our beliefs and values. In this article we will closely explore the role Ustad plays in our society and how it has evolved over time. In addition, we will analyze its influence in different sectors and its relevance in the contemporary world.

This article is about the honorific title. For other uses, see Ustaad and Ostad (disambiguation).
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Ustad, ustadh, ustaz or ustadz (abbreviated as Ust., Ut. or Ud.; from Persian استاد ustād) is an honorific title used in West Asia, North Africa, Central Asia, South Asia and Southeast Asia.[1] It is used in various languages, including Persian, Arabic (as أستاذ ’ustāḏ), Azerbaijani, Urdu, Hindi, Bengali, Marathi, Dhivehi, Punjabi, Pashto, Turkish, Kazakh, Uzbek, Indonesian, Malay and Kurdish.

Etymology

The Persian word استاد (ustād) is from Middle Persian 𐫀𐫇𐫏𐫘𐫤𐫀𐫅‎ (awestād, 'master, craftsman').[2]

Usage

The title precedes the name and was historically usually used for well-regarded teachers and artists. It can be used for any sort of master of an art or occupation; for example, an acknowledged master motorcycle mechanic would be addressed as ustad.[3] The term is also used by an apprentice (shagird) for their teacher.

In Persian and in the Arabic-speaking world, it also refers to a university professor. Ustad is only used for qualified Islamic scholars in Brunei, Indonesia, Malaysia, the Philippines, Singapore, Southern Thailand where it is a direct equivalent of terms such as shaykh in the Arab world, and mawlānā in the Indian Subcontinent. In the Maldives, the title al-usthaadh (އަލްއުސްތާޛު)[4] or its abbreviation Uz. is used by people who are licensed to practice law.

Ustad as a title in Hindustani classical music

See also: Hindustani classical music, Music of Afghanistan, Music of Bengal, and Music of Pakistan

Ustad (abbreviated as Ust. or Ut. or Ud. and from Persian استاد) is an honorific title for an expert person in Indian classical singing and instrumental playing, used for a Muslim musician. It is used in Hindustani classical music to recognize master performers. It is used as a music title. An expert other than a Hindu musician is given the title of ustad. The title is awarded to musicians by their teachers, prominent individuals, or members of their gharana in recognition of their expertise.[5] It is used in various languages including Hindi, Bengali, and Punjabi. A Muslim woman who is an expert in Indian classical music is given the title of begum; some examples include Begum Akhtar and Begum Parveen Sultana. Pandit is the equivalent title for a Hindu man, and Vidushi, Pandita, or Panditain for a Hindu woman.

Usage

The title of ustad (and pandit) is prepended informally to the names of classical singers and players by their admirers, individuals or institutions once they have reached eminence in their performing art, especially in public performances. As they are informal titles, mentioning the names of eminent singers without those appendages is acceptable, unlike prefixes like doctor awarded formally by educational institutions.[6]

The title ustad referring to a classical musician and the title ustad which is given to a knowledgeable person are different.

There are many ustads in Hindustani classical music, for example, Ustad Ahmed Jan Thirakwa, Ustad Alla Rakha, Ustad Zakir Hussain, Ustad Amjad Ali Khan, Ustad Vilayat Khan, Ustad Shahid Parvez, Ustad Rashid Khan, Ustad Bismillah Khan, etc.

References

  1. ^ Music and society in Iran: A look at the past and present century. Published 6 August 2006. Pages 495-512.
  2. ^ Cheung, Johnny (2007) Etymological Dictionary of the Iranian Verb (Leiden Indo-European Etymological Dictionary Series; 2), Leiden, Boston: Brill, →ISBN, pages 358-61
  3. ^ Daniel Neuman (1980). The Life of Music in North India. Wayne State University Press. p. 44.
  4. ^ Saruna: އަލްއުސްތާޛު މުޙައްމަދު ޖަމީލު އަވަހާރަވުން
  5. ^ "Pandit title usage".
  6. ^ "Ustad title usage".

Further reading