In this article we will analyze the relevance of Up in the Cellar in the current context, exploring its implications in various areas. Up in the Cellar has been an object of interest and study for a long time, and its influence continues to be a cause for debate and reflection. Throughout history, Up in the Cellar has played a fundamental role in different areas, from politics to culture, technology and society in general. In this sense, it is crucial to understand the importance of Up in the Cellar in today's world, as well as its potential to shape the future. Through an in-depth and multidisciplinary analysis, this article aims to shed light on the relevance of Up in the Cellar today, offering a critical and reflective look at its impact and possible long-term implications.
| Up in the Cellar | |
|---|---|
| Directed by | Theodore J. Flicker |
| Written by | Theodore J. Flicker |
| Based on | novel The Late Boy Wonder by Angus Hall |
| Produced by | Samuel Z. Arkoff James H. Nicholson co-producer Norman T Herman |
| Starring | Wes Stern Larry Hagman Joan Collins Judy Pace David Cargo Joan Darling |
| Cinematography | Earl Rath |
| Edited by | Richard Halsey |
| Music by | Don Randi |
Production company | |
| Distributed by | American International Pictures |
Release date |
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Running time | 92 minutes |
| Country | United States |
| Language | English |
Up in the Cellar is a 1970 American comedy film directed by Theodore J. Flicker and starring Wes Stern, Larry Hagman, Joan Collins, Judy Pace, David Cargo, and Joan Darling. The plot concerns a man who decides to bed three women.[1]
It was described by AIP as "as near a sequel to Three in the Attic as possible" and was originally known as The Late Boy Wonder.[2]
A suicidal college student is saved by a university president, against his wishes. To get even, the student decides to seduce women in the president's life, including his wife and mistress.