Today, we are faced with an extremely relevant topic that has captured the interest of millions of people around the world. Under the Thousand Lanterns has generated a great debate and has sparked countless opinions and reflections in a variety of contexts and areas. It is a topic that has become a fundamental part of the public conversation, both in the political and cultural spheres. That is why it is essential to delve into this topic, explore its implications and analyze in detail its significance in today's society. In this article, we seek to shed light on Under the Thousand Lanterns and address different perspectives that allow us to understand its importance and impact on the world in which we live.
Under the Thousand Lanterns | |
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Directed by | Erich Engel |
Written by |
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Produced by | |
Starring | |
Cinematography | Ekkehard Kyrath |
Edited by | Klaus Dudenhöfer |
Music by | Michael Jary |
Production company | |
Distributed by | Allianz Filmverleih |
Release date |
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Running time | 94 minutes |
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Language | German |
Under the Thousand Lanterns (German: Unter den tausend Laternen) is a 1952 French-West German crime film directed by Erich Engel and starring Michel Auclair, Gisela Trowe, and Hanna Rucker.[1] It was entered into the 1952 Cannes Film Festival.[2] It was made by Real Film at the Wandsbek Studios in Hamburg and on location in the city. The film's sets were designed by Albrecht Becker and Herbert Kirchhoff.
Singer Elisa visits the house of the composer of the new revue she is to star in, only to find his dead body. Suspicions fall on several of the murdered man's colleagues including French musician Michel Dumas, whose compositions the deceased had been passing off his as his own, as well as on Elisa herself.