In this article, we will examine in detail the concept of Tumultes (1932 film) and its relevance in different contexts. It is essential to understand the importance of Tumultes (1932 film) in our current society, as well as its influence on various aspects of daily life. Throughout this analysis, we will explore the implications and applications of Tumultes (1932 film) in different areas, from culture and history to science and technology. Likewise, we will examine the impact of Tumultes (1932 film) on contemporary society and its evolution over time. This article aims to provide a comprehensive and up-to-date view on Tumultes (1932 film), in order to foster a deeper understanding of its importance and contribution to society.
| Tumultes | |
|---|---|
| Directed by | Robert Siodmak |
| Written by | Robert Liebmann Hans Müller |
| Cinematography | Otto Baecker Günther Rittau |
| Music by | Friedrich Hollaender Gérard Jacobson |
Running time | 92 minutes |
| Country | France |
| Language | French |
Tumultes is a 1932 French crime film directed by Robert Siodmak and starring Charles Boyer and Florelle.[1] It was made at the Babelsberg Studio in Berlin and is a French-language version of Storms of Passion which was also directed by Siodmak, but with German actors.
The film received a very positive retropsective review in Le Monde.[2] Another review, also positive, recalls that Siodmak, one of the inventors of noir,[3] probably shocked the 1930s audience with this pessimistic thriller.[4] The film is also remembered for the songs it contains.[5]