Tulsi Lahiri has been the subject of interest and debate for a long time. Its impact on society and daily life is undeniable, and its relevance has transcended into different areas. This article seeks to explore Tulsi Lahiri in depth, analyzing its origins, evolution and possible future implications. Throughout these pages, different aspects related to Tulsi Lahiri will be addressed, from its historical importance to its influence in the contemporary world. In addition, different perspectives on Tulsi Lahiri will be analyzed, showing its complexity and potential to generate discussions and reflections in different areas. This article aims to provide a complete and enriching vision of Tulsi Lahiri, inviting the reader to delve deeper into this relevant and significant topic.
Tulsi Lahri | |
---|---|
Born | 7 April 1897 |
Died | 22 June 1959
(aged 62) |
Nationality | Indian |
Occupation(s) | Actor Director, Playwright |
Years active | 1920–1959 |
Tulsi Lahiri (7 April 1897 – 22 June 1959) was a Bengali actor, director and play writer.
Lahiri was born in 1897 in a zamindar family of Naldanga village, Rangpur of British India. He passed B.A and B.L and started his lawyer career in Rangpur court. While he came to Alipore Kolkata, Ustad Jamiruddin Khan recorded two of his songs and inspired Lahiri joined His Master's Voice as music director.[1]
Lahiri acted on stage and in number of films as actor, vocalist and instrumentalist. He performed initially in silent films then worked in more than 50 movies. He became popular after releasing his play Duhkhir Iman and Chhenra Taar which were successfully run in Bengal. He made an orchestra which was often used in stage dances. In 1933 he directed two films namely Jamuna Puliney and Radha Krishna.[1]