In this article we will talk about Touch Music, a topic that has generated interest and discussion in different areas. Touch Music is a topic that has captured the attention of experts and hobbyists alike, with different approaches and perspectives worth exploring. Throughout history, Touch Music has had a notable impact on society, culture and everyday life, provoking debates and reflections that remain relevant today. Through this article, we will delve into the world of Touch Music to better understand its importance and influence in different contexts.
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Touch (sometimes mistakenly written 'Touch Records' and sometimes written Touch Music, which is technically the publishing side of the company) is a British audio-visual organisation, operating the Touch label. Touch was founded in 1982 by Jon Wozencroft and Mike Harding.[1]
Touch Music is the main arm of the London-based multimedia publishing company Touch, established in 1982 with such composers as Oren Ambarchi, Jasmin Blasco, Christian Fennesz, Soliman Gamil, Hildur Guðnadóttir, Philip Jeck, Phill Niblock, BJNilsen (alias Hazard), Yann Novak, Rosy Parlane, Zachary Paul, Peter Rehberg, Simon Scott, Claire M Singer, Carl Michael von Hausswolff, Chris Watson[2] (El Tren Fantasma)[3] and Jana Winderen on their roster.
Since January 2005 Touch's project Touch Radio has broadcast monthly programmes of varying lengths by artists including Niblock, Watson, and Jeck. In 2011 the Touch Radio archive was added to the British Library Sound Archive.[4]
Owned labels: