Tityos (Ribera)
In today's world, Tityos (Ribera) is a topic that has captured the attention of people around the world. From its impact on society to its relevance in the political sphere, Tityos (Ribera) has sparked unprecedented interest. With a historical background dating back centuries, Tityos (Ribera) has evolved and adapted to the changing dynamics of modern society. This article seeks to explore the multiple facets of Tityos (Ribera), from its origins to its influence today, with the aim of providing a comprehensive vision of this topic and its importance in the contemporary world.
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Tityos is a 1632 painting, signed and dated by Jusepe de Ribera and showing the torture inflicted on the giant Tityos. It was part of a series of four paintings - the other three showed the tortures of Sisyphus, Tantalus and Ixion, but only those of Tityos and Ixion still survive, both now in the Prado Museum in Madrid.
It is unknown who commissioned the series, though its large format and theme of torture inflicted on rebels against just authority suggests a royal commission. The set of four was bought in 1634 from the Marquise de Charela by Jerónimo de Villanueva, Pronotario de Aragón, for the Buen Retiro Palace. They remained there until the 18th century.
The painting depicts Tityos' killing by Apollo
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