In today's world, Thirisoolam is a relevant topic that has become the center of attention for a large number of individuals. Since its emergence, Thirisoolam has aroused the interest of specialists and enthusiasts, who have dedicated time and effort to researching and fully understanding its different aspects. From its impacts on society to its possible long-term consequences, Thirisoolam has been the subject of numerous debates and discussions in various fields. In this article, we will delve into the fascinating world of Thirisoolam, exploring its origins, evolution and its impact today.
Thirisoolam | |
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Directed by | K. Vijayan |
Written by | A. L. Narayanan (dialogues) |
Story by | M. D. Sundar |
Based on | Shankar Guru (1978) by V. Somashekhar |
Produced by | Santhi Narayansamy, T. Manohar |
Starring | |
Cinematography | K. S. Prasad T. S. Vinayagam |
Edited by | B. Kanthasamy |
Music by | M. S. Viswanathan |
Production company | |
Release date |
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Running time | 167 minutes |
Country | India |
Language | Tamil |
Thirisoolam (transl. Trident) is a 1979 Indian Tamil-language film directed by K. Vijayan. The film has Sivaji Ganesan playing triple roles. It is a remake of the Kannada film Shankar Guru (1978).[1][2] The film was released on 27 January 1979 and turned out to be a silver jubilee hit, running for over 175 days in theatres eventually becoming the highest grossing Tamil film at the time of its release.[3]
Rajasekaran is an upright businessman whose associates are involved in shady deals. During an argument over such a deal, a scuffle ensues, and Rajasekharan accidentally shoots one of his associates dead. Fleeing from the police, he loses contact with his pregnant wife, Sumathi.
Many years later, Sumathi is now living with her son Shankar in Delhi, while Rajasekaran is a rich estate owner in Kashmir. Rajasekaran's niece Nalini encounters Shankar in Delhi and recommends him to manage her uncle's estate in Kashmir. Also arriving in Kashmir for a romantic quest with a rich girl named Malathy is Guru, a lookalike of Shankar, who is later revealed as his twin brother. Through Shankar, Rajasekaran finally manages to establish contact with his long-lost wife, Sumathi and is overwhelmed with joy.
However, before he can meet Sumathi, trouble arrives in the form of Rajasekaran's erstwhile crooked partners headed by M. N. Nambiar, who are after a valuable necklace stolen from a temple in Delhi, which they believe is now in Rajasekaran's possession. The partners kidnap Sumathi and imprison and torture Rajasekaran, and it is up to Shankar and Guru to rescue and re-unite their father and mother.
Thirisoolam was promoted as Ganesan's 200th film in a leading role.[4] Ganesan's home, Annai Illam, features in the film.[5]
The music was composed by M. S. Viswanathan, with lyrics by Kannadasan.[6][7]
Song | Singers | Length |
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"Malar Kodutthen" | T. M. Soundararajan | 04:10 |
"Kadhal Rani Katti Kidakae" | S. P. Balasubrahmanyam | 05:02 |
"En Raajathi" | S. P. Balasubrahmanyam | 04:27 |
"Irandu Kaigal" | K. J. Yesudas, S. P. Balasubrahmanyam | 04:07 |
"Thirumaalin Thirumaarbil" | K. J. Yesudas, Vani Jairam | 05:10 |
P. S. M. of Kalki praised Ganesan's performance, but not the film itself.[8] Naagai Dharuman of Anna called it a milestone achievement in Ganesan's career,[9] while Alibaba called triple action of Ganesan as full satisfaction for his fans and Kalkandu called a film for masses where logic should not be questioned.[10] It was a silver jubilee hit.[11]
Thirisoolam is included alongside other Ganesan-starring films in the compilation DVD 8th Ulaga Adhisayam Sivaji.[12]