Today, we want to address the topic of The World Trade Center Tapestry, an aspect that has gained relevance in recent times and that arouses the interest of a wide spectrum of the public. From its origins to its impact on modern society, The World Trade Center Tapestry has been the subject of debate, reflection and study. Throughout history, The World Trade Center Tapestry has influenced various areas of life, from politics to culture, and its relevance has continued to grow. In this article, we will explore the different facets of The World Trade Center Tapestry, examining its evolution over time and its impact today. We hope that this analysis provides a broader and enriching view on The World Trade Center Tapestry, offering our readers a deeper understanding of this topic of universal interest.
The World Trade Center Tapestry | |
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Catalan: Gran Tapís del World Trade Center | |
Artist | Joan Miró, Josep Royo |
Year | 1974 |
Medium | Wool and hemp |
Dimensions | 6.1 m × 11 m (20 ft × 35 ft) |
Condition | destroyed in 2001 |
The World Trade Center Tapestry was a large tapestry by Joan Miró and Josep Royo. It was displayed in the lobby of 2 World Trade Center (the South Tower) in New York City from 1974 until it was destroyed in 2001 by the collapse of the World Trade Center.
Saul Wenegrat, former director of the art program for the Port Authority of New York, had suggested to Miró that he could make a tapestry for the World Trade Center, but the artist declined as he would only make the work with his own hands but had no experience of making a tapestry. However, after his daughter recovered from an accident in Spain, Miró agreed to make a tapestry for the hospital that had treated her as a token of his gratitude. Having learned the technique from tapestry maker Josep Royo, Miró made several other tapestries with Royo, including one for the World Trade Center, Woman for the National Gallery of Art in Washington, DC, and one for the Fundació Joan Miró.
The work was an abstract design, with bright blocks of colour, red, green, blue and yellow, with black elements and a light brown background. Made of wool and hemp, it measured 20 × 35 feet (6.1 × 10.7 m) and weighed 4 tons. It was completed in 1973 and displayed at a retrospective at the Grand Palais in Paris before being installed in New York City in 1974.
The tapestry was totally destroyed during the September 11 attacks in 2001.