Today, The White Dream is a topic of great interest and relevance in various areas of society. Its impact has spread globally, generating debates, reflections and actions around its implications. In this article, we will explore in detail and critically the role of The White Dream in our current reality, analyzing its different facets, perspectives and consequences. Its influence in various contexts will be examined, as well as possible solutions and alternatives to address its challenges. The White Dream has positioned itself as a central issue on the public and private agenda, and it is essential to understand its scope and dynamics to be able to address it effectively and responsibly.
The White Dream | |
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German | Der weiße Traum |
Directed by | Géza von Cziffra |
Written by | Géza von Cziffra |
Produced by | Erich von Neusser |
Starring | Olly Holzmann Elfriede Datzig Wolf Albach-Retty |
Cinematography | Sepp Ketterer Hans Schneeberger |
Edited by | Arnfried Heyne |
Music by | Anton Profes |
Production company | |
Distributed by | Wien Film |
Release date |
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Running time | 93 minutes |
Country | Austria (Part of Greater Germany) |
Language | German |
The White Dream (German: Der weiße Traum) is a 1943 musical comedy film directed by Géza von Cziffra and starring Olly Holzmann, Elfriede Datzig and Wolf Albach-Retty.[1] [2] The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss.
It was one of the most popular wartime German releases. In the year following 1945, it was still found by an American military survey to be among a group of very successful Nazi era entertainment films at the box office, well ahead of foreign imports.[3]