The Three Strangers (play)

In this article we will delve into the fascinating world of The Three Strangers (play). We will explore their origins, their contributions to society and their impact on popular culture. We will learn in detail about his achievements and challenges, as well as the current trends that surround him. The Three Strangers (play) has been the subject of interest and debate for a long time, and in these pages we will seek to shed light on its importance and relevance in various areas. From its emergence to its evolution, The Three Strangers (play) has left an indelible mark on the modern world, and its influence continues to be a cause for reflection and analysis.

The Three Strangers
Written byHarriet Lee
Date premiered10 December 1825
Place premieredTheatre Royal, Covent Garden, London
Original languageEnglish
GenreMelodrama
SettingGermany, Present day

The Three Strangers is an 1825 stage melodrama by the British writer Harriet Lee.[1] It was based on one of her own works, Kruitzner, co-written as part of The Canterbury Tales with her sister Sophia.[2]

It premiered at the Theatre Royal, Covent Garden on 10 December 1825.[3] The cast included James Prescott Warde as Kruitzner, Daniel Egerton as Baron Stralenheim, Charles Kemble as Conrad, John Cooper as the Hungarian, George Bartley as Idenstein, William Blanchard as the Intendant, William Claremont as Weilberg, William Chapman as Herman, Louisa Chatterley as Josephine and Julia Glover as Mrs Weilberg. A relative disappointment, the play was performed four times and Lee retired after this.[4]

References

  1. ^ The Encyclopedia of Romantic Literature p.788
  2. ^ Franceschina p.68
  3. ^ Nicoll p.332
  4. ^ Franceschina p.68-69

Bibliography

  • Burwick, Frederick Goslee, Nancy Moore & Hoeveler Diane Long. The Encyclopedia of Romantic Literature. John Wiley & Sons, 2012.
  • Franceschina, John C. Sisters of Gore: Seven Gothic Melodramas by British Women, 1790-1843. Routledge, 2014.
  • Nicoll, Allardyce. A History of Early Nineteenth Century Drama 1800-1850. Cambridge University Press, 1930.