In today's world, The Siren Call has become a topic of great relevance and interest to many people. Since its emergence, The Siren Call has captured the public's attention and generated continuous debate in various areas. Its impact has been reflected in society, politics, economy and culture, becoming a central issue on the global agenda. As The Siren Call continues to evolve and take on new forms, its influence expands globally, generating endless perspectives and opinions. In this article, we will explore the different edges of The Siren Call and analyze its importance in the current context.
The Siren Call | |
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![]() Theatrical release poster | |
Directed by | Irvin Willat |
Screenplay by | Philip D. Hurn Victor Irvin J.E. Nash |
Produced by | Adolph Zukor |
Starring | Dorothy Dalton David Powell Mitchell Lewis Ed Brady Will Walling Leigh Wyant Lucien Littlefield |
Cinematography | Charles Edgar Schoenbaum |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 60 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Siren Call is a 1922 American drama silent film directed by Irvin Willat and written by Philip D. Hurn, Victor Irvin and J.E. Nash. Starring Dorothy Dalton, David Powell, Mitchell Lewis, Ed Brady, Will Walling, Leigh Wyant and Lucien Littlefield, it was released on September 17, 1922, by Paramount Pictures.[1][2]
A love triangle set against the gold rush days in Alaska.
The film survives in the George Eastman House archive and in Moscow's Gosfilmofond archive.[3]