The Progress of Railroading
In this article, we are going to delve deeper into The Progress of Railroading and understand its importance in today's society. The Progress of Railroading has been a topic of great interest and debate in recent times, and it is essential to understand its impact on various aspects of daily life. From its influence on health and well-being, to its role in economics and politics, The Progress of Railroading plays a crucial role in the way we live and interact with the world around us. Through detailed analysis, we will explore the different facets of The Progress of Railroading and examine how it has evolved over time, as well as its possible implications for the future. This article seeks to shed light on The Progress of Railroading and provide a broader view of its relevance in modern society.
| The Progress of Railroading | |
|---|---|
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| Artist | Louis Saint-Gaudens |
| Year | 1908 |
| Type | Granite |
| Dimensions | 18 ft (5.5 m) each for 6 figures |
| Location | Washington, D.C., United States |
| 38°53′49.3″N 77°0′23.17″W / 38.897028°N 77.0064361°W | |
| Owner | Union Station |
The Progress of Railroading is group of public artworks by American artist Louis Saint-Gaudens. This series of six sculptures were cut by Andrew E. Bernasconi, a high-grade Italian stone workman, between 1909 and 1911. These statues are located at Union Station in Washington, D.C., United States. The sculptures represent deities and Ancient Greek thinkers related to rail transport in the United States.[1]
Description
Six figures which stand at 18 feet high are on the main facade of the Union Station building. These granite sculptures are placed above three connected triumphal arches that make up the main entrance of the building. The six figures represent and mean:
- Archimedes – Mechanics
- Ceres – Agriculture
- Apollo – Imagination or Inspiration
- Themis – Freedom or Justice
- Thales – Electricity
- Prometheus – Fire
The east and west figures are meant to deal with the operational system behind railroads and the center figures represent creativity.[1]
The west section is inscribed:
- FIRE – GREATEST OF DISCOVERIES
- ENABLING MAN TO LIVE IN VARIOUS CLIMATES
- USE MANY FOODS – AND COMPEL THE
- FORCES OF NATURE TO DO HIS WORK
- ELECTRICITY – CARRIER OF LIGHT AND POWER
- DEVOURER OF TIME AND SPACE – BEARER
- OF HUMAN SPEECH OVER LAND AND SEA
- GREATEST SERVANT OF MAN – ITSELF UNKNOWN
- THOU HAST PUT ALL THINGS UNDER HIS FEET
The center is inscribed:
- SWEETENER OF HUT AND OF HALL
- BRINGER OF LIFE OUT OF NAUGHT
- FREEDOM O FAIREST OF ALL
- THE DAUGHTERS OF TIME AND THOUGHT
- MAN'S IMAGINATION HAS CONCEIVED ALL
- NUMBERS AND LETTERS ALL TOOLS VESSELS
- AND SHELTERS – EVERY ART AND TRADE ALL
- PHILOSOPHY AND POETRY – AND ALL POLITIES
- THE TRUTH SHALL MAKE YOU FREE
The east side is inscribed:
- THE FARM – BEST HOME OF THE FAMILY – MAIN
- SOURCE OF NATIONAL WEALTH – FOUNDATION OF
- CIVILIZED SOCIETY – THE NATURAL PROVIDENCE
- THE OLD MECHANIC ARTS CONTROLLING NEW
- FORCES BUILD NEW HIGHWAYS FOR GOODS
- AND MEN OVERRIDE THE OCEAN AND MAKE
- THE VERY ETHER CARRY HUMAN THOUGHT
- THE DESERT SHALL REJOICE AND BLOSSOM
- AS THE ROSE
Two eagles also flank the left and right side of the arches.[1]
Creation process
When the Station was being constructed debate erupted regarding "who" the figures would be or represent. Historical American figures were considered, however, they did not fit into the Baroque architecture of the building, therefore allegorical figures were chosen. Many people were consulted regarding what figures to have St. Gaudens sculpt including Charles W. Eliot, the former president of Harvard University.[1]
Condition
The Progress of Railroading sculptures were surveyed in 1994 by the Smithsonian's Save Outdoor Sculpture! program and was described as needing treatment.[2]
See also
Further reading
- Wasserman, James. The Secrets of Masonic Washington: A Guidebook to Signs, Symbols, and Ceremonies at the Origin of America's Capital. Destiny Books, 2008. ISBN 1-59477-266-5