In this article, we will explore the fascinating world of The President Vanishes (film). From its origins to its impact today, The President Vanishes (film) has played a fundamental role in society. Throughout history, The President Vanishes (film) has been the subject of numerous studies and research, which has led to a greater understanding of its importance and relevance in different areas. Through this article, we will delve into its many facets, analyzing its consequences and possible implications for the future. Join us on this journey through The President Vanishes (film), and discover its influence on the world around us.
The President Vanishes | |
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Directed by | William A. Wellman |
Written by | Carey Wilson Cedric Worth |
Based on | The President Vanishes by Rex Stout |
Produced by | Walter Wanger |
Starring | Edward Arnold Arthur Byron Paul Kelly Peggy Conklin Andy Devine |
Cinematography | Barney McGill |
Edited by | Hanson T. Fritch |
Music by | Hugo Riesenfeld |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 80 minutes |
Country | United States |
Language | English |
Budget | $290,056[1] |
Box office | $391,542[1] |
The President Vanishes (released in the United Kingdom as Strange Conspiracy) is a 1934 American political drama film directed by William A. Wellman and produced by Walter Wanger. Starring Edward Arnold and Arthur Byron, the film is an adaptation of Rex Stout's political novel of the same name.
Upon its release, the film was praised for its ensemble cast[2][3] but author John Douglas Eames, in his 1985 book The Paramount Story, stated that, even with "an accomplished cast and an out-of-the-rut story, The President Vanishes couldn't buck moviegoers' apathy towards political subjects".[3]
The film follows the story of The President Vanishes.[4]
Upon its release in 1934, The President Vanishes was named by the National Legion of Decency — an organization of the United States Catholic Church — as one of Hollywood's problematic and "immoral" films. The Catholic Church demanded an implementation and enforcement of a set of industry censorship guidelines to control and remove content that the church saw as immoral. Threatened by a large scale boycott of all Hollywood films, Will H. Hays, then president of Motion Picture Association of America, came to an agreement with the church that saw the establishment of Production Code Administration and passage of the Motion Picture Production Code, also known as Hays Code.[5] The Hays Code was in use from 1934 until 1968 when it was abandoned in favor of the MPAA film rating system.
The film recorded a loss of $145,948.[1]