In today's world, The Noise of Trouble: Live in Tokyo is a topic that has captured the attention of millions of people in all corners of the planet. Whether due to its historical importance, its relevance in contemporary society or its impact on the future, The Noise of Trouble: Live in Tokyo is a topic that does not leave anyone indifferent. Over the years, The Noise of Trouble: Live in Tokyo has been the subject of debate, extensive study and detailed analysis, resulting in a wide range of opinions and perspectives. In this article, we will explore the different facets of The Noise of Trouble: Live in Tokyo, from its origin and evolution to its influence today, with the aim of shedding light on a topic that continues to generate interest and curiosity around the world.
The Noise of Trouble: Live in Tokyo | ||||
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Live album by | ||||
Released | 1986 | |||
Recorded | October 2, 1986 October 5, 1986 at Pit Inn, Tokyo, Japan | at Parco Space Part 3, Tokyo|||
Genre | Free jazz | |||
Length | 39:50 | |||
Label | Enemy | |||
Producer | Last Exit | |||
Last Exit chronology | ||||
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The Noise of Trouble: Live in Tokyo is the second live album by the free jazz group Last Exit. It was released in 1986 by Enemy Records.[1]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | B+[3] |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
In a review for AllMusic, Steve Huey wrote: "the group's interplay was pretty well-honed by this point, comfortable enough that they could welcome guests for some of the Tokyo performances... Shorter, free-form sound explorations... alternate with longer, freely improvised jams highlighting the group's uncanny feel for smooth transitions... For listeners attuned to such extreme sounds, The Noise of Trouble is intoxicating in its raw, undiluted power and total disregard for propriety, not to mention the musicians' mastery of improvisational communication."[2]
Stuart Nicholson commented: "Everyone was at the top of their game, musically, conceptually and creatively, something that was underlined by their total confidence in each other's playing... Recorded live... on the heels of a successful European tour, Last Exit brought spontaneity, energy and a collective empathy that working regularly together brings."[5]
Writing for Trouser Press, Greg Kot stated: "the restless quartet flies from traditional blues motifs to high-energy skronk and back again with dexterity and daring."[1]
No. | Title | Writer(s) | Length |
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1. | "Straw Dog/You Got Me Rockin'/Take Cover/Ma Rainey/Crack Butter" | Brötzmann, Brown, Jackson, Laswell, Reed, Sharrock | 5:54 |
2. | "Pig Cheese" | Sharrock | 1:56 |
3. | "Panzer Be-Bop" | Brötzmann, Jackson, Laswell, Sharrock | 9:02 |
4. | "Base Metal" | Laswell | 2:28 |
No. | Title | Writer(s) | Length |
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1. | "Blind Willie" | Sharrock | 6:21 |
2. | "Needless=Balls" | Brötzmann, Sakata | 4:57 |
3. | "Civil War Test" | Brötzmann, Jackson, Laswell, Sharrock | 1:59 |
4. | "Help Me Mo, I'm Blind" | Brötzmann, Hancock, Jackson, Laswell, Sharrock | 7:13 |
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Region | Date | Label | Format | Catalog |
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United States | 1986 | Enemy | CS, LP | 88561-8178 |
United States | 1987 | Enemy | CD | EMY 103 |