In today's world, The Met Fifth Avenue has become a topic of great relevance and interest for a wide range of sectors. Whether on a personal, professional or academic level, The Met Fifth Avenue has captured attention and generated debate in multiple spheres. Over time, The Met Fifth Avenue has evolved and adapted to the changing needs of society, demonstrating its importance and relevance in different contexts. In this article, we will thoroughly explore the impact and influence of The Met Fifth Avenue, analyzing its different facets and offering a comprehensive perspective on this widely discussed topic.
After negotiations with the City of New York in 1871, the Met was granted the land between the East Park Drive, Fifth Avenue, and the 79th and 85th Street transverse roads in Central Park. A red-brick and stone building was designed by American architect Calvert Vaux and his collaborator Jacob Wrey Mould. Vaux's ambitious building was not well received; the building was dubbed by critics as a "mausoleum", its High Victorian Gothic style was already considered dated prior to completion, and the president of the Met termed the project "a mistake".[6]
Within 20 years, a new architectural plan engulfing the Vaux building was already being executed. Since that time, many additions have been made, including the distinctive Beaux-Arts Fifth Avenue facade, Great Hall, and Grand Stairway. These were designed by architect and Met trustee Richard Morris Hunt, but completed by his son, Richard Howland Hunt in 1902 after his father's death.[7] The architectural sculpture on the facade is by Karl Bitter.[8]
The wings that completed the Fifth Avenue facade in the 1910s were designed by the firm of McKim, Mead & White. The modernistic glass sides and rear of the museum are the work of Roche-Dinkeloo. Kevin Roche was the architect for the master plan and expansion of the museum for over 40 years. He was responsible for designing all of its new wings and renovations including but not limited to the American Wing, Greek and Roman Court, and recently opened Islamic Wing.[9]
Architecture
The Met measures almost 1⁄4-mile (400 m) long and with more than 2 million square feet (190,000 m2) of floor space, more than 20 times the size of the original 1880 building.[10][11] The museum building is an accretion of over 20 structures, most of which are not visible from the exterior. The City of New York owns the museum building and contributes utilities, heat, and some of the cost of guardianship.
The Charles Engelhard Court of the American Wing features the facade of the Branch Bank of the United States, a Wall Street bank that was facing demolition in 1913.[12][13]
Roof garden
The Iris and B. Gerald Cantor Roof Garden is located on the roof near the southwestern corner of the museum. The garden's café and bar is a popular museum spot during the mild-weathered months, especially on Friday and Saturday evenings when large crowds can lead to long lines at the elevators. The roof garden offers views of Central Park and the Manhattan skyline.[14][15] The garden is the gift of philanthropists Iris and B. Gerald Cantor, founder and chairman of securities firm Cantor Fitzgerald.[16] The garden was opened to the public on August 1, 1987.[17]
The roof garden has views of the Manhattan skyline from a vantage point high above Central Park.[22] The views have been described as "the best in Manhattan."[23]Art critics have been known to complain that the view "distracts" from the art on exhibition.[24]New York Times art critic Ken Johnson complains that the "breathtaking, panoramic views of Central Park and the Manhattan skyline" creates "an inhospitable site for sculpture" that "discourages careful, contemplative looking."[25] Writer Mindy Aloff describes the roof garden as "the loveliest airborne space I know of in New York."[26] The café and bar in this garden are considered romantic by many.[22][27][28]
Landmark designations
The museum's main building was designated a city landmark by the New York City Landmarks Preservation Commission in 1967,[2] and its interior was separately recognized by the Landmarks Preservation Commission in 1977.[3] The Met's main building was designated a National Historic Landmark in 1986, recognizing both its monumental architecture, and its importance as a cultural institution.[29]
^"Metropolitan Museum of Art". National Historic Landmark summary listing. National Park Service. Archived from the original on October 9, 2012. Retrieved February 18, 2013.
^Gross, Michael, Rogues' Gallery, The Secret History of the Moguls and the Money That Made the Metropolitan Museum, Broadway Books, New York, 2009, p. 75.
^Schevill, Ferdinand, 'Karl Bitter: A Biography", The University of Chicago Press, Chicago, Illinois, 1917 p. ix
^The Metropolitan Museum of Art Bulletin (Summer 1995)
^Bykofsky, Sheree; Schwart, Arthur (2001). The 52 Most Romantic Dates in and Around New York City. Avon, MA: Adams Media. p. 63. ISBN978-1-58062-462-6.