The Kiss of Death (photograph)

In this article, we will explore the impact of The Kiss of Death (photograph) in the current context. The Kiss of Death (photograph) has been the subject of debate and analysis for a long time, and its relevance is still valid in the current scenario. Over the years, The Kiss of Death (photograph) has played a crucial role in various aspects, from society to economics, culture and politics. With this article, we aim to address the different facets of The Kiss of Death (photograph), examining its influence and evolution over time. From its origins to its current situation, we will analyze how The Kiss of Death (photograph) has shaped and continues to shape our world locally, nationally and internationally.

The Kiss of Death, Cavriana, 12 May 1957.

The Kiss of Death (Italian: Il Bacio della Morte), also known as The Last Kiss (Italian: L’Ultimo Bacio), is a black and white photograph by an unknown author, taken on 12 May 1957. It depicts the moment in which Linda Christian kisses Alfonso de Portago at a brief stop during the 1957 Mille Miglia race in northern Italy. Portago was killed moments later when a tire burst at 150 miles per hour (240 km/h) in Guidizzolo, Cavriana. Over the years, it has become one of the most renowned photographs of kisses and a symbol of young audacity and passion.[1]

The photograph depicts actress Linda Christian (wearing a dotted dress and headscarf), leaning in for a short kiss with Formula 1 driver Alfonso de Portago who wears the typical 1950's racing gear; a white helmet, goggles and a leather jacket. A crowd of onlookers joyfully stares, while journalists immortalise the scene with their cameras. The photograph became famous in Italy and was popularly named "Il Bacio della Morte" (The Kiss of Death) in reference to Portago's death shortly after the image was taken.[2][3] The image was published in newspapers in the days following the race.[4][5] Life magazine gave fame to the photograph after it published it in its May 27 issue, under the title "Death finally takes a man who courted it".[6]

In later interviews, Linda Christian remembered the moment almost like a premonition:

I had a strange sensation with that kiss. It was cold, and it caused me to look for the first time at Nelson seated behind him. He seemed to be like a mummy, gray, ashen, as if mesmerised. He had the eyes of someone who had suffered an enormous shock.[7]

The image is part of the Bettmann Archive, stored in the Iron Mountain National Underground Storage Facility, a former limestone quarry located 220 feet (67 m) below ground in western Pennsylvania.

See also

References

  1. ^ Eason, Kevin (30 April 2015). "No seatbelts, 170mph: days of death and dynamism". The Times.
  2. ^ Hays, Charlotte (August 2007). The Fortune Hunters: Dazzling Women and the Men they Married. St Martin's Publishing Group. p. 21 – via Google Books.
  3. ^ Lerner, Preston (May 2018). Speed Read Ferrari: The History, Technology and Design Behind Italy's Legendary Automaker. Motorbooks. p. 137 – via Google Books.
  4. ^ "Farewell kiss—then death". The Evening Times. Sayre, Pennsylvania. May 14, 1957 – via Newspapers.com.
  5. ^ "Passing through Rome". News-Pilot. San Pedro, California. May 14, 1957 – via Newspapers.com.
  6. ^ "Death finally takes a man who courted it". Life. Vol. 42, no. 21. May 27, 1957. pp. 121–124 – via Google Books.
  7. ^ Levy, Shawn (October 2016). Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi and the Swinging High Life of 1950s Rome. Hachette UK. p. 155 – via Google Books.