In today's world, The Ideal Woman has become a topic of great relevance and interest to a large number of people. Whether due to its impact on society, its historical relevance or its importance in the scientific field, The Ideal Woman has captured the attention of experts and enthusiasts alike. In this article we will explore in depth the most relevant aspects of The Ideal Woman, analyzing its impact in various areas and its evolution over time. From its origins to its current state, we will embark on an exciting journey to deeply understand everything The Ideal Woman has to offer.
The Ideal Woman | |
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Directed by | Josef von Báky |
Written by | Hildegard Brücker Walter Forster Joachim Wedekind |
Produced by | Utz Utermann |
Starring | Ruth Leuwerik Martin Benrath Boy Gobert |
Cinematography | Werner Krien |
Edited by | Gertrud Hinz-Nischwitz |
Music by | Georg Haentzschel |
Production company | |
Distributed by | Bavaria Film |
Release date |
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Running time | 104 minutes |
Country | West Germany |
Language | German |
The Ideal Woman (German: Die ideale Frau) is a 1959 West German comedy film directed by Josef von Báky and starring Ruth Leuwerik, Martin Benrath and Boy Gobert.[1][2] It was made at the Bavaria Studios in Munich. The film's sets were designed by the art directors Hans Jürgen Kiebach and Fritz Maurischat. Location shooting took place around Landshut and in Monaco.
Fanny Becker, the mayor of Rosenburg, meets a former lover and is tempted to resume her romance with him, but eventually decides to remain with her husband (the leader of the opposition in Rosenburg).