In this article we are going to explore The Decline of the Carthaginian Empire from different angles and perspectives. The Decline of the Carthaginian Empire is a topic that has been the subject of debate and reflection throughout history, generating conflicting opinions and awakening the interest of experts and fans alike. In this sense, we will delve into the various dimensions of The Decline of the Carthaginian Empire , analyzing its impact on society, its relevance in the academic field, its influence on popular culture, among other aspects. Through this exploration, we aim to offer a comprehensive vision of The Decline of the Carthaginian Empire , delving into its meaning, its implications and its place within contemporary reality.
Painting by J. M. W. Turner
The Decline of the Carthaginian Empire is an 1817 history painting by the British artist William Turner .[ 1]
It shows the Sun setting on the city of Carthage , capital of Ancient Carthage . Carthage had been the major rival of the Roman Empire until its defeat in the Punic Wars . Turner intended to draw comparisons with Britain's recent defeat of its own major rival the French Empire during the Napoleonic Wars .[ 2] Stylistically it is inspired by the work of the seventeenth century artist Claude Lorrain .
It is a companion piece to the artist's 1815 work Dido building Carthage portraying the mythical foundation of Carthage by Dido .
The painting was exhibited at the Royal Academy 's 1817 Summer Exhibition his only work on display that year. One review considered it "excelling in the higher qualities of art, mind and poetical conception, even Claude himself."[ 3] Today it is the collection of the Tate Britain in Pimlico having been part of the Turner Bequest in 1856.[ 4]
See also
References
Bibliography
Costello, Leo. J.M.W. Turner and the Subject of History . Taylor and Francis, 2017.
Finley, Gerald. Angel in the Sun: Turner's Vision of History . McGill-Queen's Press, 1999.
Hamilton, James. Turner - A Life . Sceptre, 1998.
Quinn, Josephine. In Search of the Phoenicians . Princeton University Press, 2019.
Paintings
Lambeth Palace (1790)
Interior of a Romanesque Church (c. 1795 –1800)
Landscape with Windmill and Rainbow (c. 1795 –1800)
Diana and Callisto (c. 1796 )
Fishermen at Sea (1796)
Interior of a Gothic Church (c. 1797 )
Limekiln at Coalbrookdale (c. 1797 )
Moonlight, a Study at Millbank (1797)
Aeneas and the Sibyl, Lake Avernus (c. 1798 )
Buttermere Lake (1798)
Caernarvon Castle (c. 1798 )
Morning amongst the Coniston Fells, Cumberland (1798)
Shipping by a Breakwater (1798)
Tivoli and the Roman Campagna (c. 1798 )
View of a Town (c. 1798 )
Dolbadarn Castle (1798–1799)
Self-Portrait (c. 1799 )
View in Wales (c. 1799 –1800)
Welsh Mountain Landscape (c. 1799 –1800)
A Beech Wood with Gypsies round a Campfire (c. 1800 )
A Beech Wood with Gypsies Seated in the Distance (c. 1800 )
Landscape with Lake and Fallen Tree (c. 1800 )
Dutch Boats in a Gale (1801)
Jason (1802)
Ships Bearing Up for Anchorage (1802)
Bonneville, Savoy (1803)
Calais Pier (1803)
View on Clapham Common (c. 1800 –1805)
The Deluge (1805)
The Shipwreck (1805)
Windsor Castle from the Thames (1805)
Fall of the Rhine at Schaffhausen (1806)
Walton Bridges (1806)
A Country Blacksmith (1807)
Sun Rising through Vapour (1807)
Two Captured Danish Ships Entering Portsmouth Harbour (1807)
View of Richmond Hill and Bridge (1808)
The Garreteer's Petition (1809)
London from Greenwich Park (1809)
Ploughing Up Turnips (1809)
The Fifth Plague of Egypt (1810)
High Street, Oxford (1810)
Apollo and Python (1811)
Saltash with the Water Ferry (1811)
Hulks on the Tamar (1811)
Teignmouth (1812)
Hannibal and his Army Crossing the Alps (1812)
Frosty Morning (1813)
Dido and Aeneas (1814)
Dido building Carthage (1815)
Crossing the Brook (1815)
The Decline of the Carthaginian Empire (1817)
Raby Castle (1817)
Dort or Dordrecht (1818)
The Field of Waterloo (1818)
Richmond Hill (1819)
Entrance of the Meuse (1819)
Rome, from the Vatican (1820)
George IV at St Giles's, Edinburgh (1822)
The Battle of Trafalgar (1822)
The Bay of Baiae (1823)
The Harbour of Dieppe (1825)
Cologne (1826)
Forum Romanum (1826)
Mortlake Terrace (1826)
Port Ruysdael (1826)
The Chain Pier, Brighton (1828)
Chichester Canal (1828)
East Cowes Castle (1828)
Regulus (1828)
View of Orvieto (1828)
Vision of Medea (1828)
The Banks of the Loire (1829)
The Loretto Necklace (1829)
Ulysses Deriding Polyphemus (1829)
The Evening Star (1830)
Funeral of Sir Thomas Lawrence (1830)
Pilate Washing his Hands (1830)
Caligula's Palace and Bridge (1831)
Childe Harold's Pilgrimage - Italy (1832)
The Prince of Orange Landing at Torbay (1832)
Staffa, Fingal's Cave (1832)
The Fountain of Indolence (1834)
The Golden Bough (1834)
Venice: The Dogana and San Giorgio Maggiore (1834)
St Michael's Mount, Cornwall (1834)
The Burning of the Houses of Lords and Commons (1835)
Keelmen Heaving in Coals by Moonlight (1835)
Line Fishing, Off Hastings (1835)
Rome, From Mount Aventine (1835)
Venice, from the Porch of Madonna della Salute (c. 1835 )
Juliet and her Nurse (1836)
The Fighting Temeraire (1838)
Modern Rome – Campo Vaccino (1839)
The Slave Ship (1840)
Venice, the Bridge of Sighs (1840)
Venice from the Giudecca (1840)
Schloss Rosenau (1841)
Snow Storm: Steam-Boat off a Harbour's Mouth (1842)
The Blue Rigi (1842)
The Red Rigi (1842)
Peace – Burial at Sea (1842)
War. The Exile and the Rock Limpet (1842)
Light and Colour (1843)
Rain, Steam and Speed – The Great Western Railway (1844)
Sunrise with Sea Monsters (1845)
Norham Castle, Sunrise (c. 1845 )
Seascape: Folkestone (c. 1845 )
Whalers (c. 1845 )
Queen Mab's Cave (1846)
The Departure of the Fleet (1850)
The Beacon Light (unknown)
Prints Museums Related