In today's article, we are going to explore the impact of The Damned Rib on our modern society. The Damned Rib has been a topic of interest and debate for a long time, and its influence can be seen in a variety of contexts, from the political and social spheres, to the cultural and technological. As we delve deeper into this topic, we will delve into its historical origins, its current implications, and its potential to shape the future. Through detailed analysis and critical evaluation, we seek to shed light on The Damned Rib and its meaning for our contemporary reality.
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The Damned Rib | |
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Spanish | Esa maldita costilla |
Directed by | Juan José Jusid |
Written by | Marcos Carnevale and Antonio Barrio |
Produced by | Susana Giménez |
Starring | |
Cinematography | Alfredo F. Mayo |
Edited by | Geoffrey Rowland |
Music by | Leo Sujatovich and Claudio M. Waisgluss |
Distributed by | ALMA ATA International Pictures, S.L., Argentina SONO-FILM SACI, Galiardo P.C., S.A. |
Release date |
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Running time | 92 minutes |
Country | Argentina |
Language | Spanish |
The Damned Rib (Spanish: Esa maldita costilla) is a 1999 comedy film starring some of the most famous actresses of Argentina and Spain: Susana Giménez, Betiana Blum, Rossy de Palma and Loles León.
Astrologer Lila (León), literature teacher Margarita (de Palma), erotic-line telephonist Rosa (Blum), and recently divorced faithful wife Azucena (Giménez) all live in the same apartment building. One night, they decide to go together to have fun by attending a show of male striptease. Juan (Luis Brandoni), the taxi driver who brings them to the club, pays attention to a conversation in which each of the women describe their own ideal of a man. From that moment on, Juan dedicates himself to woo each of them one by one by assuming the different personalities of each of the women's ideal man. The plot is soon discovered and the four ladies come to an agreement: to share their ideal man and spend one week each with him.